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Johnson Manuscript page - diagram of a horse's head

Title

Johnson Manuscript page - diagram of a horse's head

Date of Production

(mid 18th century) 1725 - 1775

Medium

black chalk, pen and brown ink on laid paper

Dimensions

Height: 21 cm
Width: 16.1 cm

Accession Number

MS.1978.PG.1.98 (fol. 94)

Mode of Acquisition

Count Antoine Seilern, bequest, 1978

Credit

The Courtauld, London (Samuel Courtauld Trust)

Copyright

Work in the public domain

Location

Not currently on display

Keywords





Related Works

The Johnson Manuscript (manuscript transcript of the Rubens Pocketbook)

Provenance

possibly Albert Rubens (1614-1657); bought by Captain Maurice Johnson, 1742/44 for his father, Maurice Johnson Sr., Spalding (1688-1755); by descent in Johnson and Marsden families; W.A. Marsden (book-plate, 1897); Christopher Marsden (bookplate, 1930); his sale, Sotheby's (London), 23-24 March, 1970, lot 179; purchased there via Maggs Bros. (London) by Count Antoine Seilern, London (1901-1978) (£2,600); Princes Gate Bequest 1978

Exhibition History

Rubens. The Power of Transformation, Kunsthistoriches Museum, Vienna, 17/10/2017-21/01/2018; Stadel Museum, Frankfurt, 08/02/2018-03/06/2018

Literature

Rubens. The Power of Transformation, Kunsthistoriches Museum, Vienna, 2017-18
cat. no. 28

Jaffé, Michael, Van Dyck's Antwerp Sketchbook, London 1966
vol. I, pp. 31, 96n64; vol. II, p. 242
Fig. p. vol. I, fig. LXXIII

Inscriptions

Watermark: Watermark: Recto, left centre edge, fragment: upper half of Arms of Amsterdam.

Inscription: Recto: upper right corner, brown ink: “233.a.“; upper right, brown ink: “bucca hominis ab equo / solo, labium superius / prominentius inferiori / spatiúm breve inter mores [?] / et os“; upper left, written twice, brown ink: “fol. 233.b.“; upper centre, brown ink: “concavúm“; right centre, brown ink: “prominentia“; left centre, brown ink: “circulus / maior“ and below that: “gena elevata“; right centre, brown ink: “macerno in / cavalli gene / et nasi; lower left, brown ink: “2“, “3“ and “4“; lower right, brown ink: “Circúlús maior“; lower right corner, graphite, folio number: “94“.

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