by-nc

Johnson Manuscript page, start of text of 'pulchritudines equarum cum feminis coequales' (recto)

Title

Johnson Manuscript page, start of text of 'pulchritudines equarum cum feminis coequales' (recto)

Date of Production

(mid 18th century) 1725 - 1775

Medium

pen and grey ink, with some accents and corrections in brown ink (recto and verso), on laid paper

Dimensions

Height: 21.3 cm
Width: 16.4 cm

Accession Number

MS.1978.PG.1.94 (fol. 90)

Mode of Acquisition

Count Antoine Seilern, bequest, 1978

Credit

The Courtauld, London (Samuel Courtauld Trust)

Copyright

Work in the public domain

Location

Not currently on display

Keywords






Provenance

possibly Albert Rubens (1614-1657); bought by Captain Maurice Johnson, 1742/44 for his father, Maurice Johnson Sr., Spalding (1688-1755); by descent in Johnson and Marsden families; W.A. Marsden (book-plate, 1897); Christopher Marsden (bookplate, 1930); his sale, Sotheby's (London), 23-24 March, 1970, lot 179; purchased there via Maggs Bros. (London) by Count Antoine Seilern, London (1901-1978) (£2,600); Princes Gate Bequest 1978

Exhibition History

Rubens. The Power of Transformation, Kunsthistoriches Museum, Vienna, 17/10/2017-21/01/2018; Stadel Museum, Frankfurt, 08/02/2018-03/06/2018

Literature

Rubens. The Power of Transformation, Kunsthistoriches Museum, Vienna, 2017-18
cat. no. 28

van der Meulen, Marjorie, Rubens copies after the Antique (CRLB), 3 vols, London 1994
vol. II, p. 93n6

Jaffé, Michael, Van Dyck's Antwerp Sketchbook, London 1966
vol. II, p. 245

Inscriptions

Watermark: Watermark: none.

Inscription: Recto: upper left corner, grey ink: 231.b.”; below that, graphite: “216.a.”; whole page, grey ink, partly transcribed from Jaffé 1966 as it also appears in the Chatsworth MS as well as on earlier folio MS.1978.PG.1.76 (fol. 74): “G púlchritúdines eqúarúm cúm feminis coeqúales / capút non magnúm aút carnosúm / oculi magni et nigri / collúm altum at largúm / pectús valde latum / crines aút iuba longa / Dorsum breve, et planúm herpes[?} / spatiúm laterale ab axilla úsque ad coxam valde breve / brevis aliús venter nec magnús nec parrús, nunqúam deorsúm deficiens / nates [n]o[n] longe aút pendentes sed magne et large dúre carnis / nates t[a]m[en] valde carnose / vulva parva / clúnes fere in eqúa usque ad genúa crassi (qúae sunt femora) / praecipue ab eo latere úbi ventri armectúntúr / pedes [n]o[n] magni sed elevate alte / Primús color púlcherrimús albús criniúm in eq[ui]s feminis / qúi blondús d[icitu]r aút come dicúntur argentae aút aúrae / S[econd]us color fúscús valde niger vel rúfús niger lúcidús / tertiús color rúfús minor niger vel castaneús / 4us color núcis arellanae [sic] / 5.us rufus flavus suboscúre vulpes / 6.us nigerrimus / ceteri cineritii aút mixti colores ignobiles. / fol 232 .a. nariúm púlchritúdo ab eqúis in hoc / fol. 232 .b. ex equo mortuo súspensa nare.”; lower right corner, graphite, folio number: “90”. Verso: “virilis fea nee ad labores [...]” [not fully transcribed]; lower left, graphite: “x17”.

Information on this object may be incomplete and will be updated as research progresses. We are particularly committed to addressing any discriminatory or offensive language and ideas that might be present in our records. To help improve this record, and to enquire about images of The Courtauld Gallery Collection, please email gallery.collectionsonline@courtauld.ac.ukFind out more about using and licensing our images.

____________________________

Buy a print from our collection