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Johnson Manuscript page - start of text 'De forma Foeminea' (recto)

Title

Johnson Manuscript page - start of text 'De forma Foeminea' (recto)

Date of Production

(mid 18th century) 1725 - 1775

Medium

pen and brown ink on laid paper; on the verso the text area is framed in black chalk

Dimensions

Height: 21 cm
Width: 16.4 cm

Accession Number

MS.1978.PG.1.76 (fol. 74)

Mode of Acquisition

Count Antoine Seilern, bequest, 1978

Credit

The Courtauld, London (Samuel Courtauld Trust)

Copyright

Work in the public domain

Location

Not currently on display

Keywords






Provenance

possibly Albert Rubens (1614-1657); bought by Captain Maurice Johnson, 1742/44 for his father, Maurice Johnson Sr., Spalding (1688-1755); by descent in Johnson and Marsden families; W.A. Marsden (book-plate, 1897); Christopher Marsden (bookplate, 1930); his sale, Sotheby's (London), 23-24 March, 1970, lot 179; purchased there via Maggs Bros. (London) by Count Antoine Seilern, London (1901-1978) (£2,600); Princes Gate Bequest 1978

Exhibition History

Rubens. The Power of Transformation, Kunsthistoriches Museum, Vienna, 17/10/2017-21/01/2018; Stadel Museum, Frankfurt, 08/02/2018-03/06/2018

Literature

Rubens. The Power of Transformation, Kunsthistoriches Museum, Vienna, 2017-18
cat. no. 28

McGrath, Elizabeth, Gregory Martin, Fiona Healey, Bert Schepers, Carl van de Velde and Karolien de Clippel, Mythological Subjects. I. Achilles to The Graces, CRLB XI, 2 vols., London and Turnhout, 2016
I, p. 125 under no. 6

van der Meulen, Marjorie, Rubens copies after the Antique (CRLB), 3 vols, London 1994
vol. I, p. 73; vol. II, pp. 71-73 ...More

Jaffé, Michael, Van Dyck's Antwerp Sketchbook, London 1966
vol. II, pp. 244-45 (verso) ...Less

Inscriptions

Watermark: Watermark: none.

Inscription: Recto: upper right corner, graphite, Rubens’s original foliation(?): “215”; whole page, brown ink: “+ / De forma Foeminea / In forma foeminea, Circulus sive figura […] [not fully transcribed, continues on the verso]; lower right corner, graphite, folio number: “74”. Verso: whole page, brown ink, partly transcribed from Jaffé 1966 as it also appears in the Chatsworth MS though with numerous variations, as well as on later folio MS.1978.PG.1.94 (fol. 90): “et secúndúm prorietates et qualitates […] Caput non magnum aut carnosum. / oculi magni et nigri. / collúm altúm at largúm. / pectus valde latum. / Crines aut juba longa; / Dorsum breve, et planúm cum amplitudine / Spatiúm laterale, ab axilla usquae ad coxam valde breve / Brevis aliús venter nec magnús nec parrús, nonqua[m] deorsúm / deficiens, vel propendens. / nates non longae aút pendentes, sed magnae et largae túm / dúrae carnis, et valde carnosee… / vulva parva. / Clúnes in Eqúa ferè ad genúa crassi (qúae sunt femora) / praecipúe ab eo latere úbi ventri armectúntúr. / pedes non magni sed altius elevate. / Primús Color in Equarum crinibús seú potiús Jubus pul: / cherrimús est candidús, qúiin foeminis blondús est, et comae / dicúntúr argentae, aút aúrae. / secundus color, fúscus niger.”

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