by-nc
IIIF logo Open IIIF manifest What is IIIF IIIF viewers

Johnson Manuscript page - diagram of Galba's head after a sculpture

Title

Johnson Manuscript page - diagram of Galba's head after a sculpture

Date of Production

(mid 18th century) 1725 - 1775

Medium

graphite, pen and brown ink on laid paper

Dimensions

Height: 20.8 cm
Width: 16.1 cm

Accession Number

MS.1978.PG.1.68 (fol. 66)

Mode of Acquisition

Count Antoine Seilern, bequest, 1978

Credit

The Courtauld, London (Samuel Courtauld Trust)

Copyright

Work in the public domain

Location

Not currently on display

Keywords








Related Works

The Johnson Manuscript (manuscript transcript of the Rubens Pocketbook)

Provenance

possibly Albert Rubens (1614-1657); bought by Captain Maurice Johnson, 1742/44 for his father, Maurice Johnson Sr., Spalding (1688-1755); by descent in Johnson and Marsden families; W.A. Marsden (book-plate, 1897); Christopher Marsden (bookplate, 1930); his sale, Sotheby's (London), 23-24 March, 1970, lot 179; purchased there via Maggs Bros. (London) by Count Antoine Seilern, London (1901-1978) (£2,600); Princes Gate Bequest 1978

Exhibition History

Rubens. The Power of Transformation, Kunsthistoriches Museum, Vienna, 17/10/2017-21/01/2018; Stadel Museum, Frankfurt, 08/02/2018-03/06/2018

Literature

Rubens. The Power of Transformation, Kunsthistoriches Museum, Vienna, 2017-18
cat. no. 28

Balis, A., ‘Rubens und Inventio. Der Beitrag seines theoretischen Studienbuches’, in 'Rubens passioni: Kultur der Leidenschaten im Barock (Rekonstruktion der Künste, 3)', Göttingen 2001 - pp. 11-40
p. 23
Fig. p. pl. 9 on p. 25

van der Meulen, Marjorie, Rubens copies after the Antique (CRLB), 3 vols, London 1994
vol. I, p. 78; vol. II, p. 147
Fig. p. vol. III, fig. 245 ...More

Jaffé, Michael, Van Dyck's Antwerp Sketchbook, London 1966
vol. I, pp. 31, 96n64; vol. II, p. 243
Fig. p. vol. I, fig. LI ...Less

Inscriptions

Watermark: Watermark: Recto, left centre edge, fragment: lower half of Arms of Amsterdam.

Inscription: Recto: upper right corner, brown ink, Rubens’s original foliation: “210.b.”; upper left, brown ink: “cesar Galba ex fragment / antique marmoreo”; his head labelled clockwise from upper left, brown ink: “frons”, “oculo / cum suis / palpebras”, “ge[…?]”, “musculus “ and “tota gula”; lower right corner, graphite, folio number: “66”.

Information on this object may be incomplete and will be updated as research progresses. We are particularly committed to addressing any discriminatory or offensive language and ideas that might be present in our records. To help improve this record, and to enquire about images of The Courtauld Gallery Collection, please email gallery.collectionsonline@courtauld.ac.uk. Find out more about using and licensing our images.

____________________________

Buy a print from our collection