Johnson Manuscript page - studies using a triangle to draw human anatomy and accompanying text (recto)
Johnson Manuscript page - diagram of Hercules Farnese's head and accompanying text (verso)
Copyright
Work in the public domain
Image: Courtauld
Image: Courtauld
Title
Johnson Manuscript page - studies using a triangle to draw human anatomy and accompanying text (recto)
Johnson Manuscript page - diagram of Hercules Farnese's head and accompanying text (verso)
Johnson Manuscript page - diagram of Hercules Farnese's head and accompanying text (verso)
Date of Production
(mid 18th century) 1725 - 1775
Medium
graphite, pen and brown ink (images), pen and brown ink (text) (recto), black chalk, pen and brown ink (images), pen and brown ink (text) (verso), on laid paper
Dimensions
Height: 20.9 cm
Width: 15.9 cm
Width: 15.9 cm
Object Number
MS.1978.PG.1.61 (fol. 59)
Mode of Acquisition
Count Antoine Seilern, bequest, 1978
Credit
Courtauld Gallery, London (Samuel Courtauld Trust)
Location
Not currently on display
Keywords
Inscriptions
Watermark: Watermark: Recto, left centre edge, fragment: tip of a "V"-shape.
Inscription: Recto: upper right corner, brown ink, Rubens’s original foliation: “207.b.”; upper centre, brown ink: “humeroru latitudo et triangulo / punctum in pube / pectoris latitúdinis / punctum in umbliculo / et sic celeris membris”; centre, brown ink: “hinc o[mn]is carnositas / et crassitudo partin / superiarúm / pectoris dorsi spapaloru [sic for “scapularum”] / ventris vero et infe= / rioru / […]ilitas et […]rictio”; lower centre, brown ink: “femoris crassitudo úreprehensibilis / vel eximia in parúúm usque pedem desmens / ex piramides va[riati]one”; lower right corner, graphite, folio number: “59”. Verso: upper right corner, brown ink, Rubens’s original foliation: “fol 208.a.”; upper centre, brown ink: “Triangúlús / quadratum p[er]fectum corpus aut circulare p[er[fectúm / non misceatúr aut convertatur nisi in triangulúm / equilateralem solet p[er]fectúm”; below and to the left, brown ink: “ex antiqúo”; centre right, brown ink, with lines corresponding to the drawn diagram: “A – latitudo fortis / B – et temporúm plenitude / C genarum exilitas inferi[…] / E distantia angulorum / et latitude superior / nasi in angustum / desinens / D – barba [n]o[n] obstantibus / angulis latioribus / ad mentúm t[a]men notet[u]r / angustia quedam / F cervix latam angústu / desinat / gulae”; lower left, brown ink: “fol 208.b. / coronati corona papúleae / ex pausania”.
Inscription: Recto: upper right corner, brown ink, Rubens’s original foliation: “207.b.”; upper centre, brown ink: “humeroru latitudo et triangulo / punctum in pube / pectoris latitúdinis / punctum in umbliculo / et sic celeris membris”; centre, brown ink: “hinc o[mn]is carnositas / et crassitudo partin / superiarúm / pectoris dorsi spapaloru [sic for “scapularum”] / ventris vero et infe= / rioru / […]ilitas et […]rictio”; lower centre, brown ink: “femoris crassitudo úreprehensibilis / vel eximia in parúúm usque pedem desmens / ex piramides va[riati]one”; lower right corner, graphite, folio number: “59”. Verso: upper right corner, brown ink, Rubens’s original foliation: “fol 208.a.”; upper centre, brown ink: “Triangúlús / quadratum p[er]fectum corpus aut circulare p[er[fectúm / non misceatúr aut convertatur nisi in triangulúm / equilateralem solet p[er]fectúm”; below and to the left, brown ink: “ex antiqúo”; centre right, brown ink, with lines corresponding to the drawn diagram: “A – latitudo fortis / B – et temporúm plenitude / C genarum exilitas inferi[…] / E distantia angulorum / et latitude superior / nasi in angustum / desinens / D – barba [n]o[n] obstantibus / angulis latioribus / ad mentúm t[a]men notet[u]r / angustia quedam / F cervix latam angústu / desinat / gulae”; lower left, brown ink: “fol 208.b. / coronati corona papúleae / ex pausania”.
Provenance
possibly Albert Rubens (1614-1657); bought by Captain Maurice Johnson, 1742/44 for his father, Maurice Johnson Sr., Spalding (1688-1755); by descent in Johnson and Marsden families; W.A. Marsden (book-plate, 1897); Christopher Marsden (bookplate, 1930); his sale, Sotheby's (London), 23-24 March, 1970, lot 179; purchased there via Maggs Bros. (London) by Count Antoine Seilern, London (1901-1978) (£2,600); Princes Gate Bequest 1978
Exhibition History
Rubens. The Power of Transformation, Kunsthistoriches Museum, Vienna, 17/10/2017-21/01/2018; Stadel Museum, Frankfurt, 08/02/2018-03/06/2018
Literature
Rubens. The Power of Transformation, Kunsthistoriches Museum, Vienna, 2017-18
cat. no. 28
cat. no. 28
van der Meulen, Marjorie, Rubens copies after the Antique (CRLB), 3 vols, London 1994
vol. I, p. 71; vol. II, p. 45 (verso)
Fig. p. vol. III, fig. 40 (verso)
vol. I, p. 71; vol. II, p. 45 (verso)
Fig. p. vol. III, fig. 40 (verso)
Jaffé, Michael, Van Dyck's Antwerp Sketchbook, London 1966
vol. I, p. 18
vol. I, p. 18
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