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Johnson Manuscript page - head of Hercules compared with a bull and a lion

Title

Johnson Manuscript page - head of Hercules compared with a bull and a lion

Date of Production

(mid 18th century) 1725 - 1775

Medium

graphite, pen and brown ink on laid paper

Dimensions

Height: 20.6 cm
Width: 16 cm

Accession Number

MS.1978.PG.1.53 (fol. 51)

Mode of Acquisition

Count Antoine Seilern, bequest, 1978

Credit

The Courtauld, London (Samuel Courtauld Trust)

Copyright

Work in the public domain

Location

Not currently on display

Keywords










Related Works

The Johnson Manuscript (manuscript transcript of the Rubens Pocketbook)

Provenance

possibly Albert Rubens (1614-1657); bought by Captain Maurice Johnson, 1742/44 for his father, Maurice Johnson Sr., Spalding (1688-1755); by descent in Johnson and Marsden families; W.A. Marsden (book-plate, 1897); Christopher Marsden (bookplate, 1930); his sale, Sotheby's (London), 23-24 March, 1970, lot 179; purchased there via Maggs Bros. (London) by Count Antoine Seilern, London (1901-1978) (£2,600); Princes Gate Bequest 1978

Exhibition History

Rubens. The Power of Transformation, Kunsthistoriches Museum, Vienna, 17/10/2017-21/01/2018; Stadel Museum, Frankfurt, 08/02/2018-03/06/2018

Literature

Rubens. The Power of Transformation, Kunsthistoriches Museum, Vienna, 2017-18
cat. no. 28

Vander Auwera, Joost, Sabine van Sprang and Inga Rossi-Schrimpf, Rubens, a genius at work: the works of Peter Paul Rubens in the Royal Museums of Fine Arts of Belgium reconsidered, Tielt 2007
pp. 57-58
fig. 6 on p. 58

A House of Art: Rubens as Collector, Rubenshuis, Antwerp, 2004
p. 20
fig. 12 on p. 20 ...More

van der Meulen, Marjorie, Rubens copies after the Antique (CRLB), 3 vols, London 1994
vol. I, pp. 71, 79; vol. II, pp. 41-42, 45
Fig. p. vol. III, fig. 41

Jaffé, Michael, Van Dyck's Antwerp Sketchbook, London 1966
vol. I, pp. 31, 96n64; vol. II, p. 243
Fig. p. vol. I, fig. LXIII ...Less

Inscriptions

Watermark: Watermark: Recto, left centre edge, fragment: lower half of Arms of Amsterdam.

Inscription: Recto: upper right corner, brown ink, Rubens’s original foliation: “203.b.”; upper diagram labelled “1” at left centre, lower diagram labelled “2” at lower left centre, both in brown ink; upper diagram labelled, in brown ink: “C A B G F”; lower right corner, graphite, folio number: “51”.

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