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Johnson Manuscript page - Hercules Farnese and studies of arms and a soldier reaching from an engraving of 'Massacre of the Innocents'

Maker

Copy after
(artist)
ca. 1486-1527 (Life dates)

After
(artist)
1488-1560

Title

Johnson Manuscript page - Hercules Farnese and studies of arms and a soldier reaching from an engraving of 'Massacre of the Innocents'

Date of Production

(mid 18th century) 1725 - 1775

Medium

graphite, pen and brown ink on laid paper

Dimensions

Height: 21.2 cm
Width: 16.3 cm

Accession Number

MS.1978.PG.1.49 (fol. 47)

Mode of Acquisition

Count Antoine Seilern, bequest, 1978

Credit

The Courtauld, London (Samuel Courtauld Trust)

Copyright

Work in the public domain

Location

Not currently on display

Keywords










Related Works

The Johnson Manuscript (manuscript transcript of the Rubens Pocketbook)

Provenance

possibly Albert Rubens (1614-1657); bought by Captain Maurice Johnson, 1742/44 for his father, Maurice Johnson Sr., Spalding (1688-1755); by descent in Johnson and Marsden families; W.A. Marsden (book-plate, 1897); Christopher Marsden (bookplate, 1930); his sale, Sotheby's (London), 23-24 March, 1970, lot 179; purchased there via Maggs Bros. (London) by Count Antoine Seilern, London (1901-1978) (£2,600); Princes Gate Bequest 1978

Exhibition History

Rubens. The Power of Transformation, Kunsthistoriches Museum, Vienna, 17/10/2017-21/01/2018; Stadel Museum, Frankfurt, 08/02/2018-03/06/2018

Literature

Rubens. The Power of Transformation, Kunsthistoriches Museum, Vienna, 2017-18
cat. no. 28

Lusheck, Catherine, Rubens and the Eloquence of Drawing, London, 2017
p. 211
fig. 4.21

van der Meulen, Marjorie, Rubens copies after the Antique (CRLB), 3 vols, London 1994
vol. I, p. 71; vol. II, p. 48n1
Fig. p. vol. III, fig. 47 ...More

Jaffé, Michael, Van Dyck's Antwerp Sketchbook, London 1966
vol. I, p. 96n64; vol. II, pp. 234-35
Fig. p. vol. I, fig. LXI ...Less

Inscriptions

Watermark: Watermark: Recto, left centre edge, fragment: upper half of Arms of Amsterdam.

Inscription: Recto: upper right corner, brown ink, Rubens’s original foliation: “201 .b.”; lower right corner, graphite, folio number: “47”.

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