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Johnson Manuscript page - Hercules seated in profile and standing

Title

Johnson Manuscript page - Hercules seated in profile and standing

Date of Production

(mid 18th century) 1725 - 1775

Medium

graphite, pen and brown ink on laid paper; some graphite offset on verso from facing drawing

Dimensions

Height: 21.2 cm
Width: 15.9 cm

Accession Number

MS.1978.PG.1.48 (fol. 46)

Mode of Acquisition

Count Antoine Seilern, bequest, 1978

Credit

The Courtauld, London (Samuel Courtauld Trust)

Copyright

Work in the public domain

Location

Not currently on display

Keywords








Related Works

The Johnson Manuscript (manuscript transcript of the Rubens Pocketbook)

Provenance

possibly Albert Rubens (1614-1657); bought by Captain Maurice Johnson, 1742/44 for his father, Maurice Johnson Sr., Spalding (1688-1755); by descent in Johnson and Marsden families; W.A. Marsden (book-plate, 1897); Christopher Marsden (bookplate, 1930); his sale, Sotheby's (London), 23-24 March, 1970, lot 179; purchased there via Maggs Bros. (London) by Count Antoine Seilern, London (1901-1978) (£2,600); Princes Gate Bequest 1978

Exhibition History

Rubens. The Power of Transformation, Kunsthistoriches Museum, Vienna, 17/10/2017-21/01/2018; Stadel Museum, Frankfurt, 08/02/2018-03/06/2018

Literature

Rubens. The Power of Transformation, Kunsthistoriches Museum, Vienna, 2017-18
cat. no. 28

Barone, Juliana, ‘Rubens and Leonardo on Motion: Figures, Inscriptions, and Texts’ in Claire Farago (ed.), Re-reading Leonardo: The Treatise on Painting across Europe, Farnham, 2009, pp. 441-72
p. 467 note 54

Bolten, Jaap, Method and Practice: Dutch and Flemish Drawing Books 1600-1750, Landau, 1985
p. 115
fig. a on p. 110
manuscript not referred to by name in the text, says ‘the text was copied in two manuscripts which are still extant today' but the fig. caption does cite as MS Johnson ...More

Jaffé, Michael, Van Dyck's Antwerp Sketchbook, London 1966
vol. II, pp. 234-35
vol. I, fig. LX ...Less

Inscriptions

Watermark: Watermark: none.

Inscription: Recto: upper right corner, brown ink, Rubens’s original foliation: “201 .a.”; right centre, brown ink: “stat gravis Entellus”; lower right corner, graphite, folio number: “46”.

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