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Johnson Manuscript page - Hercules with his club and four heads and shoulders of strong men taken from engravings of 'Massacre of the Innocents' and 'Martyrdom of St Lawrence'

Maker

Copy after
(artist)
born ca. 1470/1482, died 1527/1534 (Life dates)

Copy after
(artist)
ca. 1486-1527 (Life dates)

After
(artist)
1488-1560

Copy after
(artist)
active ca. 1532 (Life dates)

After
(artist)
1499-1592

Title

Johnson Manuscript page - Hercules with his club and four heads and shoulders of strong men taken from engravings of 'Massacre of the Innocents' and 'Martyrdom of St Lawrence'

Date of Production

(mid 18th century) 1725 - 1775

Medium

graphite, pen and brown ink on laid paper

Dimensions

Height: 20.9 cm
Width: 16.2 cm

Accession Number

MS.1978.PG.1.46 (fol. 44)

Mode of Acquisition

Count Antoine Seilern, bequest, 1978

Credit

The Courtauld, London (Samuel Courtauld Trust)

Copyright

Work in the public domain

Location

Not currently on display

Keywords









Related Works

The Johnson Manuscript (manuscript transcript of the Rubens Pocketbook)

Provenance

possibly Albert Rubens (1614-1657); bought by Captain Maurice Johnson, 1742/44 for his father, Maurice Johnson Sr., Spalding (1688-1755); by descent in Johnson and Marsden families; W.A. Marsden (book-plate, 1897); Christopher Marsden (bookplate, 1930); his sale, Sotheby's (London), 23-24 March, 1970, lot 179; purchased there via Maggs Bros. (London) by Count Antoine Seilern, London (1901-1978) (£2,600); Princes Gate Bequest 1978

Exhibition History

Rubens. The Power of Transformation, Kunsthistoriches Museum, Vienna, 17/10/2017-21/01/2018; Stadel Museum, Frankfurt, 08/02/2018-03/06/2018

Literature

Rubens. The Power of Transformation, Kunsthistoriches Museum, Vienna, 2017-18
cat. no. 28

Jaffé, Michael, Van Dyck's Antwerp Sketchbook, London 1966
vol. II, p. 234
Fig. p. vol. I, fig. LIX

Inscriptions

Watermark: Watermark: Recto, left centre edge, fragment: part of Baton Royal (Paper Type 7 in Peter Bower's 2017 report, dated between 1660-1696).

Inscription: Recto: upper right corner, brown ink, Rubens’s original foliation: “200 .b.”; lower right corner, graphite, folio number: “44”.

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