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Johnson Manuscript page - Rape of Deianira by the Centaur Nessus, sketch of two men grappling watched by a crowd

Maker

Copy after
(artist)
born ca. 1500/1505, died 1565 (Life dates)

Title

Johnson Manuscript page - Rape of Deianira by the Centaur Nessus, sketch of two men grappling watched by a crowd

Date of Production

(mid 18th century) 1725 - 1775

Medium

graphite, pen and brown ink (images), pen and brown ink (text), on laid paper

Dimensions

Height: 20.9 cm
Width: 16 cm

Accession Number

MS.1978.PG.1.37 (fol. 35)

Mode of Acquisition

Count Antoine Seilern, bequest, 1978

Credit

The Courtauld, London (Samuel Courtauld Trust)

Copyright

Work in the public domain

Location

Not currently on display

Keywords







Related Works

The Johnson Manuscript (manuscript transcript of the Rubens Pocketbook)

Provenance

possibly Albert Rubens (1614-1657); bought by Captain Maurice Johnson, 1742/44 for his father, Maurice Johnson Sr., Spalding (1688-1755); by descent in Johnson and Marsden families; W.A. Marsden (book-plate, 1897); Christopher Marsden (bookplate, 1930); his sale, Sotheby's (London), 23-24 March, 1970, lot 179; purchased there via Maggs Bros. (London) by Count Antoine Seilern, London (1901-1978) (£2,600); Princes Gate Bequest 1978

Exhibition History

Rubens. The Power of Transformation, Kunsthistoriches Museum, Vienna, 17/10/2017-21/01/2018; Stadel Museum, Frankfurt, 08/02/2018-03/06/2018

Literature

McGrath, Elizabeth, Bert Schepers, Nils Büttner, Gregory Martin, Jeremy Wood, Eveliina Juntunen, Gerlinde Gruber and Fiona Healy, Mythological Subjects. II. Hercules to Olympus, CRLB XI, 2 vols., London, 2022
p. 440 note 46

Rubens. The Power of Transformation, Kunsthistoriches Museum, Vienna, 2017-18
cat. no. 28

Jaffé, David, 'Daniele da Volterra's satirical defence of his art' in 'Journal of the Warburg and Courtauld Institutes', 1991 - pp. 247-52; 54
p. 252n25 ...More

Jaffé, David, Rubens's self-portrait in focus, Brisbane 1989
p. 31
Fig. p. fig. 26

Jaffé, Michael, Van Dyck's Antwerp Sketchbook, London 1966
vol. I, p. 96n64; vol. II, p. 233 ...Less

Inscriptions

Watermark: Watermark: Recto, left centre edge, fragment: lower half of Arms of Amsterdam.

Inscription: Recto: upper right corner, brown ink, Rubens's original foliation: “178.b.”; left centre, brown ink: “daniel de volterra egregie lúcta = / tores expressit primo dúm miniantur / dum trepidant dum captant est.”; lower right corner, graphite, folio number: “35”.

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