by-nc

Johnson Manuscript page - 'Quinta essentia' text (recto)

Title

Johnson Manuscript page - 'Quinta essentia' text (recto)

Date of Production

(mid 18th century) 1725 - 1775

Medium

pen and grey ink, brown ink used for corrections and added diacritics (recto), pen and grey ink (verso), on laid paper

Dimensions

Height: 21.3 cm
Width: 16.4 cm

Accession Number

MS.1978.PG.1.29 (fol. 27)

Mode of Acquisition

Count Antoine Seilern, bequest, 1978

Credit

The Courtauld, London (Samuel Courtauld Trust)

Copyright

Work in the public domain

Location

Not currently on display

Keywords









Provenance

possibly Albert Rubens (1614-1657); bought by Captain Maurice Johnson, 1742/44 for his father, Maurice Johnson Sr., Spalding (1688-1755); by descent in Johnson and Marsden families; W.A. Marsden (book-plate, 1897); Christopher Marsden (bookplate, 1930); his sale, Sotheby's (London), 23-24 March, 1970, lot 179; purchased there via Maggs Bros. (London) by Count Antoine Seilern, London (1901-1978) (£2,600); Princes Gate Bequest 1978

Exhibition History

Rubens. The Power of Transformation, Kunsthistoriches Museum, Vienna, 17/10/2017-21/01/2018; Stadel Museum, Frankfurt, 08/02/2018-03/06/2018

Literature

Rubens. The Power of Transformation, Kunsthistoriches Museum, Vienna, 2017-18
cat. no. 28

van der Meulen, Marjorie, Rubens copies after the Antique (CRLB), 3 vols, London 1994
vol. I, p. 73 (verso)

Inscriptions

Watermark: Watermark: Recto, left centre edge, cut off in binding: top of a foolscap with seven points (matches Heawood 2002 - dated 1674, on a collection of Dutch paper in London).

Inscription: Recto: upper right corner, grey ink, Rubens’s original foliation: “90.b.”; whole page, grey ink, with corrections and accents added in brown ink: “qúinta essentia / omne principiúm dat figúram seú formam […]” [not fully transcribed]; lower right corner, graphite, folio number: “27”. Verso: upper left corner, grey ink, Rubens’s original foliation: “90.b.”; upper half of page, grey ink: “cúbi predestinatúr únitas út in capite ibi binariús par / distinguens in latitudine ternariúm in altitúdine / parem tertiam t[o]tum p[ar]tem ternarii dintingúit, idque [n]o[n] p[er] lineam sed superficiale corpus ut nasúm in facie / ubi predestinatur binariús ibi binariús par dissecat in / latitudine / fol 91.a. / quaternitas seu dualitas / pro eodem accipiuntur”; left centre, grey ink: “distinctio per binariúm / in latitudine”; diagram labelled in grey ink: numbered “3” four times across the torso, and “2” in groin area; upper left of diagram labelled vertically “tria alia” and “distinctio per ternarium in altitudine” and horizontally “dissectio” and at right edge “trinarium in / latitudine”; at groin “dissecatio p[er] binarium in latitúdine”; left of legs, written vertically: “quatuor / bis duo” and right of legs, written horizontally: “distinctio per binariu / in altitúdine”.

Information on this object may be incomplete and will be updated as research progresses. We are particularly committed to addressing any discriminatory or offensive language and ideas that might be present in our records. To help improve this record, and to enquire about images of The Courtauld Gallery Collection, please email gallery.collectionsonline@courtauld.ac.ukFind out more about using and licensing our images.

____________________________

Buy a print from our collection