by-nc
IIIF logo Open IIIF manifest What is IIIF IIIF viewers

Johnson Manuscript page - sketches of dead figures and passage from the Aeneid

Title

Johnson Manuscript page - sketches of dead figures and passage from the Aeneid

Date of Production

(mid 18th century) 1725 - 1775

Medium

graphite, pen and brown ink (images), pen and brown ink (text) on laid paper

Dimensions

Height: 21.2 cm
Width: 16.3 cm

Accession Number

MS.1978.PG.1.17 (fol. 15)

Mode of Acquisition

Count Antoine Seilern, bequest, 1978

Credit

The Courtauld, London (Samuel Courtauld Trust)

Copyright

Work in the public domain

Location

Not currently on display

Keywords





Related Works

The Johnson Manuscript (manuscript transcript of the Rubens Pocketbook)

Provenance

possibly Albert Rubens (1614-1657); bought by Captain Maurice Johnson, 1742/44 for his father, Maurice Johnson Sr., Spalding (1688-1755); by descent in Johnson and Marsden families; W.A. Marsden (book-plate, 1897); Christopher Marsden (bookplate, 1930); his sale, Sotheby's (London), 23-24 March, 1970, lot 179; purchased there via Maggs Bros. (London) by Count Antoine Seilern, London (1901-1978) (£2,600); Princes Gate Bequest 1978

Exhibition History

Rubens. The Power of Transformation, Kunsthistoriches Museum, Vienna, 17/10/2017-21/01/2018; Stadel Museum, Frankfurt, 08/02/2018-03/06/2018

Literature

Rubens. The Power of Transformation, Kunsthistoriches Museum, Vienna, 2017-18
cat. no. 28

Jaffé, Michael, Van Dyck's Antwerp Sketchbook, London 1966
vol. I, p. 96n64

Inscriptions

Watermark: Watermark: Recto, left centre edge, cut off at edge: lower half of Arms of Amsterdam, shared with PG.1.39 (from Peter Bower's 2017 report).

Inscription: Recto: upper right corner, brown ink, Rubens’s original foliation: “10”; upper left, brown ink: “iactantemque utroque / capút crassumque / crúorem ore reiec=/ tantem mixtosque / in sangúine dentes. / Virg : Aeneid. 5”; lower right corner, graphite, folio number: “15”.

Information on this object may be incomplete and will be updated as research progresses. We are particularly committed to addressing any discriminatory or offensive language and ideas that might be present in our records. To help improve this record, and to enquire about images of The Courtauld Gallery Collection, please email gallery.collectionsonline@courtauld.ac.uk. Find out more about using and licensing our images.

____________________________

Buy a print from our collection