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Hercules defeating Achelous
Maker
(artist)
1577-1640
Title
Date of Production
Medium
Dimensions
Width: 35.7 cm
Accession Number
Mode of Acquisition
Credit
Copyright
Location
Keywords
Related Works
Provenance
Exhibition History
Collection, The Courtauld Gallery, London, 06/10/1988-08/01/1989
Literature
pp. 49 under no. 48, 52-55 under no. 49
fig. 42
as pupil of Rubens, possibly Erasmus Quellinus the Younger entry authors: Elizabeth McGrath and Bert Schepers
Logan, Anne-Marie, ‘Review. Rubens. Paintings, Drawings, and Prints in the Princes Gate Collection [Exhibition Catalogue] by Helen Braham’, Master Drawings, XXIX, 1991, pp. 314-15
p. 314
as School of Rubens
Rubens - Paintings, Drawings and Prints in the Princes Gate Collection, Courtauld Gallery, London, 1988-1989
cat. no. 22
no. 22 and pp. 2, 16, 18 under no. 21, 19, 30 under no. 35, 44
ill. on p. 18
as School of Rubens, reworked by another hand, dated probably late 1639-May 1640; in file ...More
Balis, Arnout, translated from the Dutch by P.S. Falla, Rubens hunting scenes (CRLB), London 1986
pp. 224, 231-32n62 and 67
Kauffmann, Claus Michael, Catalogue of the Paintings in the Wellington Museum, Victoria and Albert Museum catalogues, London, 1982
p. 127 under no. 158
Held, Julius S., The oil sketches of Peter Paul Rubens: a critical catalogue, Princeton 1980
p. 252
Jaffé, Michael, 'Book Reviews. Gregory Martin, National Gallery Catalogues: The Flemish school ca. 1600 - ca. 1900, London, 1970 and Antoine Seilern, Flemish Paintings and Drawings at 56 Princes Gate London, Addenda, London, 1969' in 'Art Bulletin', 1973 - pp. 462-64; 55
p. 464
Alpers, Svetlana, The decoration of the Torre de la Parada (CRLB), London 1971
p. 220 under no. 30 and pp. 278-79
fig. 200
as not Rubens; only p. 220 in file
Seilern, Count Antoine, Flemish paintings and drawings at 56 Princes Gate, London SW7. Addenda, London 1969; IV
no. 326
pl. XLI
as Rubens, dated before March 1638; in file ...Less
Inscriptions
Inscription: Verso: lower left corner, graphite, not modern: "18 p".
Collector's mark: none.
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