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Susannah and the Elders, (after Guido Reni, 1575–1642)

Maker

(Artists)
1610-1690

After
(Artists)
1575-1642

Title

Date of Production

1650-56

Medium

oil on panel

Dimensions

Height: 17 cm (panel)
Width: 22.9 cm (panel)

Accession Number

P.1978.PG.442

Mode of Acquisition

Count Antoine Seilern, bequest, 1978

Credit

The Courtauld, London (Samuel Courtauld Trust)

Copyright

Work in the public domain

Location

On display

Keywords

Label Text

In 1660, the Flemish artist David Teniers published the Theatrum Pictorium, or ‘Theatre of Painting’, the first printed and illustrated catalogue of a major paintings collection. The collection belonged to Archduke Leopold Wilhelm, governor of the Southern Netherlands (modern-day Belgium) from 1646 to 1656. During that time, Leopold Wilhelm acquired more than 1,300 paintings spanning two centuries. The catalogue illustrates 243 of them, most from the Italian Renaissance. In preparation, Teniers painted copies in oil paint on small wooden panels working directly from the originals. He sent these small copies to specialist engravers who reproduced them as prints for the publication.

The Courtauld owns 14 of these copies, the largest number in any public collection. They are a valuable record of paintings that have since been altered or lost. They also show Teniers’s remarkable skill and the growing interest in the art of the past.

Provenance

Marlborough sale, Christie’s, 24 July ff.1886 (186), bought by Murray; Sale of Johann Stumpf collection, Lepke, Berlin, 7 May 1918, lot 15; [gap]; bought by Count Antoine Seilern (1901-1978) from Colnaghi in 1966; Princes Gate Bequest 1978.

Exhibition History

Princely Splendour: European Baroque Galleries and the Art of Order, Winter Palace, Vienna, 18/03/2016-26/06/2016

David Teniers and the Theatre of Painting, The Courtauld Gallery, London, 19/10/2006-21/01/2007

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