The Presentation in the Temple

Maker

(Artists)
1577-1640

Title

The Presentation in the Temple

Date of Production

1611-13

Medium

oil on panel

Dimensions

Height: 83 cm (panel)
Width: 30.4 cm (panel)

Accession Number

P.1978.PG.360

Mode of Acquisition

Count Antoine Seilern, bequest, 1978

Credit

The Courtauld, London (Samuel Courtauld Trust)

Location

On display

Keywords









Label Text

In 1611, Peter Paul Rubens was asked to paint a three-panel altarpiece for a side chapel in Antwerp Cathedral. These preparatory works are studies for this major commission. Rubens used them to define the dramatic composition. He may have also shown them to his patrons for approval before embarking on the large altarpiece. 

The biblical scenes all feature the body of Christ being supported — within his pregnant mother (left); by the priest Simeon soon after his birth (right); and by figures lowering him from the cross after his death (centre). Chosen by the guild who commissioned the altarpiece, the episodes allude to its patron saint, Christopher (‘Christ-bearer’ in Greek).

The central panel is especially moving. The Virgin Mary, in blue, reaches out to her son. Despite the scene’s intense grief, Christ’s lifeless body seems graceful.

Provenance

Giovanelli coll., Venice, before 1732 until before 1933. Acquired by Count Antoine Seilern from Dr Vitale Bloch, 1935; Princes Gate Bequest 1978

Exhibition History

Peter Paul Rubens - A Touch of Brilliance, The Courtauld Gallery, London, 20/09/2003-08/02/2004

Rubens - A Closer Look, Courtauld Institute Gallery, London, 18/01/1987-26/04/1987

Literature

Peter Paul Rubens: the drawings, Metropolitan Museum of Art, New York, 15 January - 3 April 2005 New York, New Haven, London 2005
p. 162 under no. 44
Fig. p. fig. 94 on p. 162
in file for PG.56

Peter Paul Rubens - A Touch of Brilliance, The Courtauld Gallery, London, 2003-2004
cat. no. 4
Fig. p. pl. 4

Rubens - A Closer Look, Courtauld Institute Gallery, London, 1987
unpag.

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