Triptych with the Crucifixion
Maker
(artist)
1375-1399
1375-1399
Title
Triptych with the Crucifixion
Date of Production
c. 1374
Medium
oil on panel
Dimensions
Height: 83.1 cm
Width: 56.3 cm
Width: 56.3 cm
Accession Number
P.1947.LF.109.1
Mode of Acquisition
Arthur Hamilton Lee, bequest, 1947
Credit
The Courtauld, London (Samuel Courtauld Trust)
Copyright
Work in the public domain
Location
On display
Keywords
Label Text
This is one of the few surviving 14th-century triptychs from northern Europe.
Triptychs consist of three panels hinged together. Most often folded closed and set on an altar, they were opened for prayer and on special holy days, revealing the rich representations within. Unusually, the wings of this work were sawn at some point, separating the fronts and backs. Therefore, the triptych can now be seen both opened (right) and as if closed (left).
The outer panels depict saints with ties to the Franciscan monastic order, including Saint Francis preaching to the birds.
Inside, the triptych acts like an illustrated Bible. Its small figures and individual episodes recall the delicate images found in religious manuscripts. The main panel shows the Crucifixion, surrounded by scenes from the life of Christ and the Virgin Mary.
Triptychs consist of three panels hinged together. Most often folded closed and set on an altar, they were opened for prayer and on special holy days, revealing the rich representations within. Unusually, the wings of this work were sawn at some point, separating the fronts and backs. Therefore, the triptych can now be seen both opened (right) and as if closed (left).
The outer panels depict saints with ties to the Franciscan monastic order, including Saint Francis preaching to the birds.
Inside, the triptych acts like an illustrated Bible. Its small figures and individual episodes recall the delicate images found in religious manuscripts. The main panel shows the Crucifixion, surrounded by scenes from the life of Christ and the Virgin Mary.
Provenance
Lee Bequest 1947
Exhibition History
British Primitives, Royal Academy of Arts, London, 1923
Information on this object may be incomplete and will be updated as research progresses. We are particularly committed to addressing any discriminatory or offensive language and ideas that might be present in our records. To help improve this record, and to enquire about images of The Courtauld Gallery Collection, please email gallery.collectionsonline@courtauld.ac.uk. Find out more about using and licensing our images.
____________________________