Crucifixion triptych (formerly known as the Estouteville Triptych)
Maker
(artist)
1375-1399
1375-1399
Title
Crucifixion triptych (formerly known as the Estouteville Triptych)
Date of Production
(circa) 1374
Dimensions
Height: 83.1 cm
Width: 56.3 cm
Width: 56.3 cm
Accession Number
P.1947.LF.109
Mode of Acquisition
Arthur Hamilton Lee, bequest, 1947
Credit
The Courtauld, London (Samuel Courtauld Trust)
Copyright
Work in the public domain
Location
On display
Keywords
agony
Label Text
This is one of the few surviving 14th-century triptychs from northern Europe.
Triptychs consist of three panels hinged together. Most often folded closed and set on an altar, they were opened for prayer and on special holy days, revealing the rich representations within. Unusually, the wings of this work were sawn at some point, separating the fronts and backs. The outer panels depict saints with ties to the Franciscan orders, including Saint Francis preaching to the birds. Inside, the triptych acts like an illustrated Bible. Its small figures and individual episodes recall the delicate images found in religious manuscripts. The main panel shows the Crucifixion, surrounded by scenes from the life of Christ and the Virgin Mary.
Triptychs consist of three panels hinged together. Most often folded closed and set on an altar, they were opened for prayer and on special holy days, revealing the rich representations within. Unusually, the wings of this work were sawn at some point, separating the fronts and backs. The outer panels depict saints with ties to the Franciscan orders, including Saint Francis preaching to the birds. Inside, the triptych acts like an illustrated Bible. Its small figures and individual episodes recall the delicate images found in religious manuscripts. The main panel shows the Crucifixion, surrounded by scenes from the life of Christ and the Virgin Mary.
Provenance
Lee Bequest 1947
Exhibition History
British Primitives, Royal Academy of Arts, London, 1923
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