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Johnson Manuscript page - end of 'De figurae humanis elementis cubo, circulo et triangulo' text (recto)

Title

Johnson Manuscript page - end of 'De figurae humanis elementis cubo, circulo et triangulo' text (recto)

Date of Production

(mid 18th century) 1725 - 1775

Medium

pen and brown ink (recto and verso) on laid paper

Dimensions

Height: 20.9 cm
Width: 16 cm

Accession Number

MS.1978.PG.1.8 (fol. 6)

Mode of Acquisition

Count Antoine Seilern, bequest, 1978

Credit

The Courtauld, London (Samuel Courtauld Trust)

Copyright

Work in the public domain

Location

Not currently on display

Keywords






Related Works

The Johnson Manuscript (manuscript transcript of the Rubens Pocketbook)

Provenance

possibly Albert Rubens (1614-1657); bought by Captain Maurice Johnson, 1742/44 for his father, Maurice Johnson Sr., Spalding (1688-1755); by descent in Johnson and Marsden families; W.A. Marsden (book-plate, 1897); Christopher Marsden (bookplate, 1930); his sale, Sotheby's (London), 23-24 March, 1970, lot 179; purchased there via Maggs Bros. (London) by Count Antoine Seilern, London (1901-1978) (£2,600); Princes Gate Bequest 1978

Exhibition History

Rubens. The Power of Transformation, Kunsthistoriches Museum, Vienna, 17/10/2017-21/01/2018; Stadel Museum, Frankfurt, 08/02/2018-03/06/2018

Literature

Rubens. The Power of Transformation, Kunsthistoriches Museum, Vienna, 2017-18
cat. no. 28

van der Meulen, Marjorie, Rubens copies after the Antique (CRLB), 3 vols, London 1994
vol. I, p. 72 (verso)

Jaffé, Michael, Van Dyck's Antwerp Sketchbook, London 1966
vol. I, pp. 20, 40

Inscriptions

Watermark: Watermark: none.

Inscription: Recto: upper right corner, brown ink, Rubens’s original foliation: “6”; upper centre, brown ink, continued from previous folios: "circúlús. In corpore cubús. In crúribús et in brachiis pira= / mis. Dominantúr. / Qúa[dra]túm perfectúm sive circúlare perfectúm non misce= / ntúr aút conrestatúr, nisi in traingúlúm a qúi laterúm sive / perfectúm.”; lower right corner, graphite, folio number: "6”. Verso: upper centre, brown ink: “Figurae humanae / Ex elementis compositio et Symmetria”; the diagram of a human figure is then labelled vertically along the left side, brown ink: “i / 1 / 2 / 3 / 2 4 / 3 / 4 / 5 / 6 / 7” and along the lower edge “1 2 3 4”.

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