Johnson Manuscript page - end of text 'De forma Foeminea' (recto)
Johnson Manuscript page - start of text 'Mores feminei' (verso)
Copyright
Work in the public domain
Image: Courtauld
Image: Courtauld
Title
Johnson Manuscript page - end of text 'De forma Foeminea' (recto)
Johnson Manuscript page - start of text 'Mores feminei' (verso)
Johnson Manuscript page - start of text 'Mores feminei' (verso)
Date of Production
(mid 18th century) 1725 - 1775
Medium
pen and brown ink, with some accents added in grey ink (recto and verso) on laid paper
Dimensions
Height: 21.2 cm
Width: 16.3 cm
Width: 16.3 cm
Object Number
MS.1978.PG.1.77 (fol. 75)
Mode of Acquisition
Count Antoine Seilern, bequest, 1978
Credit
Courtauld Gallery, London (Samuel Courtauld Trust)
Location
Not currently on display
Keywords
Inscriptions
Watermark: Watermark: none.
Inscription: Recto: upper right corner, brown ink, Rubens’s original foliation: “216 .b.”; whole page, brown ink with accents added in grey ink: “In feminis o[mn]is sim […]” [not fully transcribed]; lower right corner, graphite, folio number: “75”. Verso: upper right corner, brown ink, Rubens’s original foliation: “217.a.”; whole page, brown ink with accents added in grey ink: “Mores feminei / In feminis […]” [not fully transcribed].
Inscription: Recto: upper right corner, brown ink, Rubens’s original foliation: “216 .b.”; whole page, brown ink with accents added in grey ink: “In feminis o[mn]is sim […]” [not fully transcribed]; lower right corner, graphite, folio number: “75”. Verso: upper right corner, brown ink, Rubens’s original foliation: “217.a.”; whole page, brown ink with accents added in grey ink: “Mores feminei / In feminis […]” [not fully transcribed].
Provenance
possibly Albert Rubens (1614-1657); bought by Captain Maurice Johnson, 1742/44 for his father, Maurice Johnson Sr., Spalding (1688-1755); by descent in Johnson and Marsden families; W.A. Marsden (book-plate, 1897); Christopher Marsden (bookplate, 1930); his sale, Sotheby's (London), 23-24 March, 1970, lot 179; purchased there via Maggs Bros. (London) by Count Antoine Seilern, London (1901-1978) (£2,600); Princes Gate Bequest 1978
Exhibition History
Rubens. The Power of Transformation, Kunsthistoriches Museum, Vienna, 17/10/2017-21/01/2018; Stadel Museum, Frankfurt, 08/02/2018-03/06/2018
Literature
Rubens. The Power of Transformation, Kunsthistoriches Museum, Vienna, 2017-18
cat. no. 28
cat. no. 28
McGrath, Elizabeth, Gregory Martin, Fiona Healey, Bert Schepers, Carl van de Velde and Karolien de Clippel, Mythological Subjects. I. Achilles to The Graces, CRLB XI, 2 vols., London and Turnhout, 2016
I, p. 125 under no. 6
I, p. 125 under no. 6
van der Meulen, Marjorie, Rubens copies after the Antique (CRLB), 3 vols, London 1994
vol. I, p. 73; vol. II, pp. 72-73
vol. I, p. 73; vol. II, pp. 72-73
Information on this object may be incomplete and will be updated as research progresses. We are particularly committed to addressing any discriminatory or offensive language and ideas that may be present in our records.
We are also constantly working to digitise the collection and improve the quality of our digital resources; images will be added/updated as new photography becomes available.
To help improve this record and to enquire about images of the Courtauld Gallery Collection, please email gallery.collectionsonline@courtauld.ac.uk.
Find out more about using and licensing our images.
____________________________