Johnson Manuscript page - Saint Christopher, Hercules carrying the Erymanthian Boar
Title
Johnson Manuscript page - Saint Christopher, Hercules carrying the Erymanthian Boar
Date of Production
(mid 18th century) 1725 - 1775
Medium
graphite, pen and brown ink on laid paper; some graphite offset on verso from facing drawing
Dimensions
Height: 21.1 cm
Width: 16 cm
Width: 16 cm
Accession Number
MS.1978.PG.1.66 (fol. 64)
Mode of Acquisition
Count Antoine Seilern, bequest, 1978
Credit
The Courtauld, London (Samuel Courtauld Trust)
Copyright
Work in the public domain
Location
Not currently on display
Keywords
Provenance
possibly Albert Rubens (1614-1657); bought by Captain Maurice Johnson, 1742/44 for his father, Maurice Johnson Sr., Spalding (1688-1755); by descent in Johnson and Marsden families; W.A. Marsden (book-plate, 1897); Christopher Marsden (bookplate, 1930); his sale, Sotheby's (London), 23-24 March, 1970, lot 179; purchased there via Maggs Bros. (London) by Count Antoine Seilern, London (1901-1978) (£2,600); Princes Gate Bequest 1978
Exhibition History
Rubens. The Power of Transformation, Kunsthistoriches Museum, Vienna, 17/10/2017-21/01/2018; Stadel Museum, Frankfurt, 08/02/2018-03/06/2018
Literature
Rubens. The Power of Transformation, Kunsthistoriches Museum, Vienna, 2017-18
cat. no. 28
McGrath, Elizabeth, Gregory Martin, Fiona Healey, Bert Schepers, Carl van de Velde and Karolien de Clippel, Mythological Subjects. I. Achilles to The Graces, CRLB XI, 2 vols., London and Turnhout, 2016
I, p. 50 note 11
Jaffé, Michael, Van Dyck's Antwerp Sketchbook, London 1966
vol. I, p. 96n64
cat. no. 28
McGrath, Elizabeth, Gregory Martin, Fiona Healey, Bert Schepers, Carl van de Velde and Karolien de Clippel, Mythological Subjects. I. Achilles to The Graces, CRLB XI, 2 vols., London and Turnhout, 2016
I, p. 50 note 11
Jaffé, Michael, Van Dyck's Antwerp Sketchbook, London 1966
vol. I, p. 96n64
Inscriptions
Watermark: Watermark: Recto, left centre edge, fragment: lower half of Amrs of Amsterdam.
Inscription: Recto: upper right corner, brown ink, Rubens’s original foliation: “209.b.”; upper centre edge, brown ink, the last word in Flemish added in graphite: “s christoferus sub pondere / inclinatús sudans et hygende”; lower right corner, graphite, folio number: “64”.
Inscription: Recto: upper right corner, brown ink, Rubens’s original foliation: “209.b.”; upper centre edge, brown ink, the last word in Flemish added in graphite: “s christoferus sub pondere / inclinatús sudans et hygende”; lower right corner, graphite, folio number: “64”.
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