by-nc

Landscape with a Rider and an Idealised View of Tivoli

Maker

After
(artist)
1604-1682

(printmaker)
1743-1822

(publisher)
1719-1804

Title

Landscape with a Rider and an Idealised View of Tivoli

Date of Production

1774

Medium

printed on chine collé

Dimensions

Height: 20.7 cm
Width: 25.9 cm

Accession Number

G.1990.WL.6290.67

Mode of Acquisition

Witt Library, transfer, 1990

Credit

The Courtauld, London (Samuel Courtauld Trust)

Copyright

Work in the public domain

Location

Not currently on display

Keywords
















Label Text

Almost a century after Claude’s death, Richard Earlom translated into print the Liber Veritatis, an album of drawings Claude made recording his painted compositions. The prints were published by John Boydell, the leading London publisher of the day. They became widely known, providing a model of the ideal landscape for British artists of the late eighteenth and early nineteenth centuries. J.M.W. Turner greatly admired Claude’s work and his own series of prints was influenced by the Liber Veritatis. Claude’s original painting is also part of The Courtauld's collection (P.1978.PG.64).

Notes

Plate 67 from volume 1 of the Liber Veritatis engraved by Richard Earlom and published by John Boydell.

Provenance

Information not yet known or updated

Exhibition History

Purpose and Process: British and French Printmaking 1600 - 1900, The Courtauld Gallery, London, 14/05/2014-20/06/2014

Literature

Claude Lorrain: Liber Veritatis
Fig. p. no. 67
reproduces

Inscriptions

Inscription: R. Earlom fecit. //

Inscription: Published Nov.r 1.st 1774 by John Boydell Engraver in Cheapside. / From the Original Drawing, in the Collection of the Duke of Devonshire. //

Inscription: Lib. Ver. //

Inscription: Claude le Lorrain delin.t / No. 67. //

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