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St Anne and the Virgin

Maker

(artist)
1695-1754

After
(artist)
1577-1640

Title

St Anne and the Virgin

Date of Production

(circa) 1751

Medium

graphite, pen and brown and grey ink, watercolour on laid paper, framed in an oval with brown ink and wash lines

Dimensions

Height: 18.7 cm
Width: 23.5 cm

Accession Number

D.1978.PG.428.13

Mode of Acquisition

Count Antoine Seilern, bequest, 1978

Credit

The Courtauld, London (Samuel Courtauld Trust)

Copyright

Work in the public domain

Location

Not currently on display

Keywords







Provenance

possibly the set remaining in the artist's studio after his death (his estate sale catalogue of 10 March 1755 lists two sets in the forward, one in red and black chalk, and the other with 'elaborately executed colours' and listed for sale as no. 50 on p. 102; the other known set of coloured drawings is in Antwerp); bound in an album for Count Adam Gottlob Moltke (1710-1792) (as attested to by the second title page); Peter Isaac Thellusson, 1st Baron Rendlesham (1761-1808) (his bookplate inside the album cover); by descent to Lord Rendlesham (his bookplate inside the album cover); Colnaghi (London); purchased there by Count Antoine Seilern, London (1901-1978), 20 July 1936 (£100); Princes Gate Bequest 1978

Literature

Martin, John Rupert, Rubens: the ceiling paintings for the Jesuit Church in Antwerp (CRLB), London 1968
pp. 127-28 under no. 20 and pp. 5, 226, 231
fig. 113

Inscriptions

Watermark: Watermark: upper centre edge (only visible in raking light, not at all visible with VSC 8000), fragment: probably upper portion of a Strasburg lily. William Clarke in his 1988 conservation notes though this faint impression was caused by pressing against another sheet and not intrinsic to this sheet.

Collector's mark: none (although unable to check verso).

Inscription: Verso (only visible using VSC 8000): lower centre, graphite: “María en Anna”.

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