Open IIIF manifest What is IIIF IIIF viewers

Study of two horsemen

Maker

(artist)
1471-1528

Title

Date of Production

1493 - 1494

Medium

traces of red ink (more red ink is visible on the verso via transmitted light), pen and brown ink, brown wash, with some strokes of grey wash, on laid paper, with brown ink framing lines mostly trimmed away, laid down on a historic mount

Dimensions

Height: 13.1 cm
Width: 12.1 cm

Accession Number

D.1978.PG.252

Mode of Acquisition

Count Antoine Seilern, bequest, 1978

Credit

The Courtauld, London (Samuel Courtauld Trust)

Copyright

Work in the public domain

Location

Not currently on display

Keywords

Provenance

John Skippe (1741-1812), associated with unidentified collector’s mark L.2798 (lower right); presumably acquired by him in Italy between 1773 and 1781 [as per Lugt 2798, 1956]; presumably by descent to his sister, Penelope Martin; by descent to her son, James Martin; by descent to Edward Holland (d. 1916); by descent to his sister, Mrs J. Rayner-Wood; by descent to Edward Holland-Martin; his sale, Christie's (London), 20 - 21 November 1958, lot 299 (repr.); purchased there by Colnaghi (London); purchased there by Count Antoine Seilern, London (1901-1978), 21 November 1958 (£4,200); Princes Gate Bequest 1978

Exhibition History

Special Display - German drawings, The Courtauld Gallery, London, 21/06/2007-23/09/2007

Mantegna to Cezanne - Master Drawings from the Courtauld, British Museum, London, 24/02/1983-19/06/1983

The Princes Gate Collection - Drawings (Selection B), The Courtauld Gallery, London, 29/01/1982-25/07/1982 ...More

Drawings by Old Masters, Royal Academy of Arts, London, 1953 ...Less

Literature

Mantegna to Cezanne: Master Drawings from the Courtauld, British Museum, London, 1983
cat. no. 4
ill. on p. 14

The Princes Gate Collection - Drawings (Selection B), The Courtauld Gallery, London, 1982
cat. no. 162

Seilern, Count Antoine, Paintings and drawings of Continental Schools other than Flemish and Italian at 56 Princes Gate, London SW7, London 1961; III
no. 252
pl. LXXVIII
as Dürer, c. 1493-94 ...More

Drawings by Old Masters, Royal Academy of Arts, London, 1953
cat. no. 219

Panofsky, E., Albrecht Dürer, London, 2nd ed. 1945
Handlist no. 1234
as by another hand

Dodgson, Campbell, Old Master Drawings, 1939; XIV
p. 14
pl. 11

Winkler, Friedrich, Die Zeichnungen Albrecht Dürers, 4 vols., Berlin 1936-1939
vol. IV (1939) , no. 949
ill. ...Less

Inscriptions

Watermark: upper centre: half of Briquet 2541, scales in circle surmounted by a star - on paper dating 1498, 1504 and 1508 from Italy and Germany - the other half shared by the sheet in the Albertina (see Notes).

Collector's mark: Recto: lower right corner, stamped in gold: unidentifed collector (L.2798).

Inscription: Verso (hidden under mount, visible via transmitted light, see photos): centre, brown ink: “Albert Durer”; lower left edge, brown ink (attempt at imitating Durer’s monogram? Seilern said it 'has been connected in the literature with Antonio Tempesta'): “AT”. Mount (historic), Recto, all graphite, modern hand: lower centre: “Albrecht DÜRER”; lower right: “Dürer”, “S. Beham / T”, “A.E.S. / C.S.”.

Information on this object may be incomplete and will be updated as research progresses. We are particularly committed to addressing any discriminatory or offensive language and ideas that might be present in our records. To help improve this record, and to enquire about images of The Courtauld Gallery Collection, please email gallery.collectionsonline@courtauld.ac.uk. Find out more about using and licensing our images.

____________________________

Buy a print from our collection