Temptation of Christ
Maker
(Artists)
1577-1640
1577-1640
Title
Temptation of Christ
Date of Production
1620
Medium
oil on panel
Dimensions
Height: 32.9 cm (panel)
Width: 31.6 cm (panel)
Width: 31.6 cm (panel)
Accession Number
P.1978.PG.370
Mode of Acquisition
Count Antoine Seilern, bequest, 1978
Credit
The Courtauld, London (Samuel Courtauld Trust)
Copyright
Work in the public domain
Location
Not currently on display
Keywords
Label Text
These freely painted sketches were created by
Peter Paul Rubens in preparation for two ceiling
paintings, which explains their format and the
view from below. The scenes, drawn from the
New Testament, depict two episodes of the life
of Christ: on the left, he is being tempted by the
devil to turn stones into bread and to break his
fast. On the right, he crowns his mother, Mary,
as she ascends to heaven.
From these sketches, Rubens’s assistants created
the final paintings, which were part of a series of
39 large canvasses for the Church of Saint
Ignatius of Loyola in Antwerp. Completed in
1621, the paintings were destroyed by fire a
century later when lightning struck the church.
'Count Antoine Seilern’s collection held over
60 works by Rubens. The sketch of Saint Gregory
(on the adjacent wall) was his first painting by
the artist, purchased in 1933, just as Seilern
started studying art history at Vienna University.
He especially loved to reconstruct lost painting
projects by buying related studies, as is the case
with the two sketches here.’
Helen Martin-Leake, honorary curator, the Courtauld Gallery,
and biographer of Count Antoine Seilern
Peter Paul Rubens in preparation for two ceiling
paintings, which explains their format and the
view from below. The scenes, drawn from the
New Testament, depict two episodes of the life
of Christ: on the left, he is being tempted by the
devil to turn stones into bread and to break his
fast. On the right, he crowns his mother, Mary,
as she ascends to heaven.
From these sketches, Rubens’s assistants created
the final paintings, which were part of a series of
39 large canvasses for the Church of Saint
Ignatius of Loyola in Antwerp. Completed in
1621, the paintings were destroyed by fire a
century later when lightning struck the church.
'Count Antoine Seilern’s collection held over
60 works by Rubens. The sketch of Saint Gregory
(on the adjacent wall) was his first painting by
the artist, purchased in 1933, just as Seilern
started studying art history at Vienna University.
He especially loved to reconstruct lost painting
projects by buying related studies, as is the case
with the two sketches here.’
Helen Martin-Leake, honorary curator, the Courtauld Gallery,
and biographer of Count Antoine Seilern
Provenance
Comte de Cuypers de Rijmenam (name inscribed on printed label from 1806 sale catalogue pasted on back of panel); J-J Cocquereau, sold Brussels, 25ff August 1806, lot 89, bought Vervier; Schamp d'Aveschoot, sold Van Regemorter, Ghent, 14ff September 1840, lot 136 (100 fr); A Ysabie, Ghent; acquired by Count Antoine Seilern (1901-1978) from Graupe, Paris, 1938; Princes Gate Bequest 1978
Exhibition History
Peter Paul Rubens - A Touch of Brilliance, The Courtauld Gallery, London, 20/09/2003-08/02/2004
Rubens - Paintings, Drawings and Prints in the Princes Gate
Collection, The Courtauld Gallery, London, 06/10/1988-08/01/1989
Rubens - Paintings, Drawings and Prints in the Princes Gate
Collection, The Courtauld Gallery, London, 06/10/1988-08/01/1989
Literature
Peter Paul Rubens - A Touch of Brilliance, The Courtauld Gallery, London, 2003-2004
cat. no. 24
Fig. p. pl. 24
Rubens - Paintings, Drawings and Prints in the Princes Gate Collection, Courtauld Gallery, London, 1988-1989
cat. no. 4
no. 4 and Foreward and pp. 1-3, 4 under no. 1, 11 under no. 11, 12 under no. 14, 24 under no. 28b
Fig. p. p. 6
cat. no. 24
Fig. p. pl. 24
Rubens - Paintings, Drawings and Prints in the Princes Gate Collection, Courtauld Gallery, London, 1988-1989
cat. no. 4
no. 4 and Foreward and pp. 1-3, 4 under no. 1, 11 under no. 11, 12 under no. 14, 24 under no. 28b
Fig. p. p. 6
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