The Entombment of Christ

Maker

(Artists)
1577-1640

Title

The Entombment of Christ

Date of Production

1615-16

Medium

oil on panel

Dimensions

Height: 83.1 cm (panel)
Width: 65.1 cm (panel)

Accession Number

P.1978.PG.365

Mode of Acquisition

Count Antoine Seilern, bequest, 1978

Credit

The Courtauld, London (Samuel Courtauld Trust)

Copyright

Work in the public domain

Location

On display

Keywords





Label Text

This unusually large oil sketch was probably made in preparation for an altarpiece that was never completed. Characterised by dramatic lighting, it depicts a group of mourners struggling to lower Christ’s limp body into his tomb. Peter Paul Rubens based the composition on an altarpiece by the Italian artist Caravaggio, a work he knew well from his earlier stay in Rome. Rubens often looked to other artists for inspiration in the creation of his own paintings. This was a common practice at the time. Far from being mere imitation, it showed knowledge of important works of the past and built on them to produce new inventions.

Provenance

Count Schönborn, Pommersfelden, by 1719; probably acquired from Schönborn collection after mid-19th century by M. Haro; Haro sale, Paris 30f. May 1892 (46); Baron Vitta, France. Acquired by Count Seilern in Paris, 1953; Princes Gate Bequest 1978.

Exhibition History

Rubens. The Power of Transformation, Kunsthistoriches Museum, Vienna, 17/10/2017-21/01/2018; Stadel Museum, Frankfurt, 08/02/2018-03/06/2018

Rubens - A Master in the Making, National Gallery, London, 26/10/2005-15/01/2006

Peter Paul Rubens - A Touch of Brilliance, The Courtauld Gallery, London, 20/09/2003-08/02/2004

Literature

Rubens - A Master in the Making, National Gallery, London, 2005-2006

Peter Paul Rubens - A Touch of Brilliance, The Courtauld Gallery, London, 2003-2004
cat. no. 49
Fig. p. pl. 49

Jaffé, Michael, Rubens and Italy, Oxford 1977
p. 58
Fig. p. pl. 177

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