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The Coronation of the Virgin

Maker

(Artists)
active ca. 1250-1300 (Life dates)

Title

The Coronation of the Virgin

Date of Production

c. 1260

Medium

tempera on panel, irregular shape

Dimensions

Height: 34.3 cm (panel)
Width: 166.7 cm (panel)

Accession Number

P.1947.LF.186

Mode of Acquisition

Arthur Hamilton Lee, bequest, 1947

Credit

The Courtauld, London (Samuel Courtauld Trust)

Copyright

Work in the public domain

Location

On display

Keywords









Label Text

This is one of the earliest works in the collection. As his name suggests, the painter was from Siena in central Italy. He belongs to only a handful of identified artists from the period.

For a long time, works of art were seen as collaborative, and individual painters remained anonymous. This changed when artists began signing their works and asserting their own identity in contracts. This painting originally formed the top of an altarpiece composed of several panels.

During the 19th century, many altarpieces were taken apart and their sections sold off to collectors. Several other works in this room are also fragments of larger works. Reuniting the different elements of dismantled altarpieces is difficult, especially as their subject matter is often very similar.

This painting represents the crowning of the Virgin Mary by Christ upon her ascent into Heaven. One of the most popular themes of its day, it was considered particularly appropriate for works destined to be shown higher up.

Provenance

Lee Bequest 1947

Exhibition History

National Gallery (to be displayed with permanent collection), National Gallery, London, 01/09/1997-01/06/1998

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