The Coronation of the Virgin
Maker
(Artists)
active ca. 1250-1300 (Life dates)
active ca. 1250-1300 (Life dates)
Title
The Coronation of the Virgin
Date of Production
c. 1260
Medium
tempera on panel, irregular shape
Dimensions
Height: 34.3 cm (panel)
Width: 166.7 cm (panel)
Width: 166.7 cm (panel)
Accession Number
P.1947.LF.186
Mode of Acquisition
Arthur Hamilton Lee, bequest, 1947
Credit
The Courtauld, London (Samuel Courtauld Trust)
Copyright
Work in the public domain
Location
On display
Keywords
Label Text
This is one of the earliest works in the collection. As his name suggests, the painter was from Siena in central Italy. He belongs to only a handful of identified artists from the period.
For a long time, works of art were seen as collaborative, and individual painters remained anonymous. This changed when artists began signing their works and asserting their own identity in contracts. This painting originally formed the top of an altarpiece composed of several panels.
During the 19th century, many altarpieces were taken apart and their sections sold off to collectors. Several other works in this room are also fragments of larger works. Reuniting the different elements of dismantled altarpieces is difficult, especially as their subject matter is often very similar.
This painting represents the crowning of the Virgin Mary by Christ upon her ascent into Heaven. One of the most popular themes of its day, it was considered particularly appropriate for works destined to be shown higher up.
For a long time, works of art were seen as collaborative, and individual painters remained anonymous. This changed when artists began signing their works and asserting their own identity in contracts. This painting originally formed the top of an altarpiece composed of several panels.
During the 19th century, many altarpieces were taken apart and their sections sold off to collectors. Several other works in this room are also fragments of larger works. Reuniting the different elements of dismantled altarpieces is difficult, especially as their subject matter is often very similar.
This painting represents the crowning of the Virgin Mary by Christ upon her ascent into Heaven. One of the most popular themes of its day, it was considered particularly appropriate for works destined to be shown higher up.
Provenance
Lee Bequest 1947
Exhibition History
National Gallery (to be displayed with permanent collection), National Gallery, London, 01/09/1997-01/06/1998
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