Nevermore

Maker

(Artists)
1848-1903

Title

Nevermore

Date of Production

1897

Medium

oil on canvas

Dimensions

Height: 60.5 cm (canvas)
Width: 116 cm (canvas)

Accession Number

P.1932.SC.163

Mode of Acquisition

Samuel Courtauld, gift, 1932

Credit

The Courtauld, London (Samuel Courtauld Trust)

Copyright

Work in the public domain

Location

On display

Keywords











Label Text

Paul Gauguin painted Nevermore while living in Tahiti, an island in the southern Pacific colonised by France. Intended for a white European male audience, this image of a reclining nude belongs to a long artistic tradition. To the familiar theme however, Gauguin added a sense of exoticism and of unease. The young woman is not at rest but anxiously aware of the two figures behind her, who may be evil spirits. For modern viewers, her youth is the most disconcerting aspect. She is sometimes identified as Paul Gauguin’s 15-year-old companion Pahura. The painting’s title associates the bird on the ledge with Edgar Allan Poe’s poem ‘The Raven’. In it, a poet, driven mad by the death of his lover, hears a raven endlessly repeating ‘nevermore’.

This sense of loss may allude to Gauguin’s disillusionment at the destruction of Tahitian culture by French administrators and Church missionaries. This did not prevent him from taking advantage of his position as a European coloniser. Pahura was one of several teenagers that he took on as ‘wives’. The widespread racist fantasy of Tahitian girls as sexually precocious led to clear exploitation.

Provenance

Sent by Gauguin from Tahiti to Daniel de Monfreid, Paris, 1897; purchased from him by Frederick Delius, Paris and Gretz-sur-Loing, 1898; purchased from him by Herbert Coleman, Manchester, through Goupil Gallery, London, circa 1922; purchased from Coleman (price unknown) by Samuel Courtauld before July 1924; Courtauld Gift, 1932

Exhibition History

After Impressionism: Inventing Modern Art, The National Gallery, London, 25/03/2023-13/08/2023

Masterpieces of Impressionism from The Courtauld Gallery, Tokyo Metropolitan Art Museum, Tokyo, Japan, 10/09/2019-15/12/2019; Aichi Prefectural Museum, Nagoya, Japan, 03/01/2020-15/03/2020; Kobe City Museum, Kobe, Japan, 28/03/2020-21/06/2020

The Courtauld Collection. A Vision for Impressionism, Louis Vuitton Foundation, Paris, 20/02/2019-17/06/2019 ...More

Courtauld Impressionists: From Manet to Cezanne, National Gallery, London, 17/09/2018-20/01/2019

Collecting Gauguin: Samuel Courtauld in the 20's, The Courtauld Gallery, London, 20/06/2013-08/09/2013

Paul Gauguin - Maker of Myth, Tate Modern & London & England, 30/09/2010-16/01/2011

Part of general displays, J Paul Getty Museum & Los Angeles & California & USA, 15/01/2003-28/04/2003

Into the 20th century - New Displays at the Courtauld, The Courtauld Gallery, London, 10/10/2002

Paul Gauguin: Paradise Lost, Essen & Germany, 01/06/1998-01/10/1998

The Courtauld Collection, Tokyo, Osaka, Kyoto, 26/12/1997-12/05/1998

The Impressionists and after, Birmingham Museum and Art Gallery & Birmingham & England, 1947 ...Less

Inscriptions

Inscription: inscription : signed : top left & recto : : NEVERMORE / P. Gauguin 97/0. TAITI

Information on this object may be incomplete and will be updated as research progresses. We are particularly committed to addressing any discriminatory or offensive language and ideas that might be present in our records. To help improve this record, and to enquire about images of The Courtauld Gallery Collection, please email gallery.collectionsonline@courtauld.ac.ukFind out more about using and licensing our images.

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