Glass goblet
Maker
Italy (Venice) or Netherlands 16th century (glassmaker)
1500-1599
1500-1599
Title
Glass goblet
Date of Production
(second half of 16th century) 1550 - 1600
Medium
Filigree glass with embedded opaque white canes, called "vetro a retorti" and "a fili"
Dimensions
Height: 14 cm
Accession Number
O.1966.GP.179
Mode of Acquisition
Gambier Parry, bequest, 1966
Credit
The Courtauld, London (Samuel Courtauld Trust)
Copyright
Work in the public domain
Location
Not currently on display
Keywords
Label Text
Goblets in the Venetian style are very light and extremely fragile because their recipe, which
originates in the Venetian island of Murano, contains few chemical stabilisers. The Venetian
Republic fiercely protected their technology and punished craftsmen who were caught trying
to leave, but by about 1540 many had moved to Northern Europe. They took with them their
precious knowledge and began making glasses in the Venetian style. Both aesthetically and
in their chemical compositions they are often indistinguishable from Muranese glasses.
The filigree (filigrana in Italian) technique originated in Venice in 1527. Canes of opaque white glass (lattimo) were laid in grooves on a flat surface and a clear glass bulb was rolled over them. The fused glass was then manipulated whilst hot to create a variety of swirling patterns, such as the ones on the goblet (called vetro a retorti and a fili). The network of uneven swirls on its foot reveals it as a handblown object and captures the once viscous nature of the molten glass
originates in the Venetian island of Murano, contains few chemical stabilisers. The Venetian
Republic fiercely protected their technology and punished craftsmen who were caught trying
to leave, but by about 1540 many had moved to Northern Europe. They took with them their
precious knowledge and began making glasses in the Venetian style. Both aesthetically and
in their chemical compositions they are often indistinguishable from Muranese glasses.
The filigree (filigrana in Italian) technique originated in Venice in 1527. Canes of opaque white glass (lattimo) were laid in grooves on a flat surface and a clear glass bulb was rolled over them. The fused glass was then manipulated whilst hot to create a variety of swirling patterns, such as the ones on the goblet (called vetro a retorti and a fili). The network of uneven swirls on its foot reveals it as a handblown object and captures the once viscous nature of the molten glass
Provenance
Gambier-Parry Bequest 1966
Exhibition History
The Gambier-Parry Collection, The Courtauld Institute of Art, London
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