Untitled (from the Whip Woman Series) [Peitschenfrau]
Maker
(artist)
b.1938 (Life dates)
b.1938 (Life dates)
Title
Untitled (from the Whip Woman Series) [Peitschenfrau]
Date of Production
1964
Medium
graphite on paper
Dimensions
Height: 62.5 cm
Width: 48.6 cm
Width: 48.6 cm
Accession Number
LD.2020.HK.2
Mode of Acquisition
Karshan Collection, long-term loan, 2020
Credit
Promised gift by Linda Karshan in memory of her husband, Howard Karshan. On long-term loan to The Courtauld Gallery, London
Copyright
© Georg Baselitz 2021
Location
On display
Label Text
This drawing of a disturbing, grossly inflated female figure was made just as Georg Baselitz was emerging as one of the most radical new voices in German art after the Second World War. The woman’s spherical body almost consumes her tiny head and legs, while her breasts, stomach and genitalia are given prominence amidst the mass of covering hair. She holds a small whip but seems powerless to use it. The drawing is a deliberately provocative and grotesque rendering of one of art’s most familiar subjects, the female nude.
Provenance
left the studio for an exhibition and was subsequently sold, 1964 [according to 242 Gallery]; Matthew Marks Gallery, New York, by 1992 [when lent to the Parallel Visions exh.]; 242 Gallery, New York; purchased there by Howard Karshan (1933-2017), 2 May 1997 [invoice in file]; Promised gift by Linda Karshan in memory of her husband, Howard Karshan. On long-term loan to The Courtauld Gallery, London.
Exhibition History
Modern Drawings: The Karshan Gift, The Courtauld Gallery, London, 19/11/2021-09/01/2022
Parallel Visions: Modern Artists and Outsider Art, Los Angeles County Museum of Art, Los Angeles, 18/10/1992-03/01/1993; Reina Sofia, Madrid, 11/02/1993-09/05/1993; Kunsthalle Basel, Basel, 04/07/1993-29/08/1993; Setagaya Art Museum, Tokyo, 30/09/1993-12/12/1993
Georg Baselitz, Galerie Beyeler, Basel, 01/04/1986-01/06/1986
Parallel Visions: Modern Artists and Outsider Art, Los Angeles County Museum of Art, Los Angeles, 18/10/1992-03/01/1993; Reina Sofia, Madrid, 11/02/1993-09/05/1993; Kunsthalle Basel, Basel, 04/07/1993-29/08/1993; Setagaya Art Museum, Tokyo, 30/09/1993-12/12/1993
Georg Baselitz, Galerie Beyeler, Basel, 01/04/1986-01/06/1986
Literature
Modern Drawings: The Karshan Gift, The Courtauld Gallery, London, 20 Nov. 2021 - 9 Jan. 2022
cat. no. 22
Fig. p. p. 107
Parallel Visions: Modern Artists and Outsider Art, Los Angeles, Madrid, Basel and Tokyo, 1992-93
cat. no. 171
pp. 186, 309
Fig. p. p. 186
Georg Baselitz, Galerie Beyeler, Basel, 1986
cat. no. 57
Fig. p. repr.
cat. no. 22
Fig. p. p. 107
Parallel Visions: Modern Artists and Outsider Art, Los Angeles, Madrid, Basel and Tokyo, 1992-93
cat. no. 171
pp. 186, 309
Fig. p. p. 186
Georg Baselitz, Galerie Beyeler, Basel, 1986
cat. no. 57
Fig. p. repr.
Inscriptions
Inscription: Recto: lower centre edge, graphite, signed and dated: "Baselitz 1964".
Label: Frame, Verso: upper left, two labels printed in black and filled in with typewriter on white labels: “GALERIE BEYELER BASEL / Ausst. GEORG BASELITZ / April – Juni 86 / Kat. Nr. 57” and “GALERIE BEYELER BASEL / 10769 / Georg BASELITZ / Ohne Titel (Peitschenfrau) 1964 / Bleistift-Zeichnung / 62,2 x 49 cm / 24 ½ x 19 ¼””; upper right, Karshan inv. tag with image of drawing [only visible on photograph in file and too small to read] and repeated on label on wire; lower left, black ink printed on white label: “Los Angeles County / Museum of Art 5905 Wilshire Boulevard / Los Angeles, California 90036 / EX.92.346 / Exhibition Dates: Parallel Visions: LACMA 10/18/92-1/3/93; Reina Sofia / 2/11/93-5/9/93; Kunsthalle Basel 7/4/93-8/29/93; / Setagaya 9/30/93-12/12/93. / Artist: Georg Baselitz / Title: Untitled (Peitschenfrau), 1964 / Date: / Medium: Pencil / Size: unframed: 24 ¼ x 19 ¼ in. / framed: 32 ½ x 26 ¾ in. / Lender: Collection Matthew Marks, New York / Accessory Size: ”.
Stamp: Frame, Verso: lower left, stamped in black: "BARK FRAMEWORKS INC / 85 GRAND STREET NEW YORK, NY 10023".
Label: Frame, Verso: upper left, two labels printed in black and filled in with typewriter on white labels: “GALERIE BEYELER BASEL / Ausst. GEORG BASELITZ / April – Juni 86 / Kat. Nr. 57” and “GALERIE BEYELER BASEL / 10769 / Georg BASELITZ / Ohne Titel (Peitschenfrau) 1964 / Bleistift-Zeichnung / 62,2 x 49 cm / 24 ½ x 19 ¼””; upper right, Karshan inv. tag with image of drawing [only visible on photograph in file and too small to read] and repeated on label on wire; lower left, black ink printed on white label: “Los Angeles County / Museum of Art 5905 Wilshire Boulevard / Los Angeles, California 90036 / EX.92.346 / Exhibition Dates: Parallel Visions: LACMA 10/18/92-1/3/93; Reina Sofia / 2/11/93-5/9/93; Kunsthalle Basel 7/4/93-8/29/93; / Setagaya 9/30/93-12/12/93. / Artist: Georg Baselitz / Title: Untitled (Peitschenfrau), 1964 / Date: / Medium: Pencil / Size: unframed: 24 ¼ x 19 ¼ in. / framed: 32 ½ x 26 ¾ in. / Lender: Collection Matthew Marks, New York / Accessory Size: ”.
Stamp: Frame, Verso: lower left, stamped in black: "BARK FRAMEWORKS INC / 85 GRAND STREET NEW YORK, NY 10023".
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