The Gardener
Maker
(artist)
1790-1864
1790-1864
Title
The Gardener
Medium
coloured aquatint with brown ink etching and areas of scraping out
Dimensions
Height: 26.6 cm
Width: 18.7 cm
Width: 18.7 cm
Accession Number
G.2018.XX.2
Mode of Acquisition
The Courtauld Institute of Art, London, purchase, 2017
Credit
The Courtauld, London (Samuel Courtauld Trust)
Copyright
Work in the public domain
Location
Not currently on display
Keywords
Label Text
William Henry Hunt (1790-1864) was one of the key figures in British watercolour painting in the first half of the nineteenth century. Born in London and apprenticed at the age of fourteen to the watercolourist John Varley, he entered the Royal Academy Schools in 1808, becoming a regular exhibitor at the Society of Painters in Water-Colour from 1814. His career was furthered by the patronage of the Duke of Devonshire and the Earl of Essex, both of whom offered him important opportunities to work on their estates. His work focused on the rural and the natural worlds, ranging from genre scenes to single-figure studies to the intricate still-lifes for which he is now best known. John Ruskin was one of his most influential admirers, and his innovative technique inspired younger artists such as the Pre-Raphaelites.
The present work relates to two watercolours in The Courtauld’s collection, The Gardener (D.1967.WS.55) and The Head Gardener (D.2011.XX.2), as well as to a lost oil painting, and presumably depicts a gardener on the estate of the Earl of Essex at Cassiobury Park. Originally thought to be a watercolour, it is in fact a colour aquatint and, as such, testifies to the popularity of Hunt’s composition, as it is unlikely that such an elaborate reproductive print would have been undertaken otherwise.
The present work relates to two watercolours in The Courtauld’s collection, The Gardener (D.1967.WS.55) and The Head Gardener (D.2011.XX.2), as well as to a lost oil painting, and presumably depicts a gardener on the estate of the Earl of Essex at Cassiobury Park. Originally thought to be a watercolour, it is in fact a colour aquatint and, as such, testifies to the popularity of Hunt’s composition, as it is unlikely that such an elaborate reproductive print would have been undertaken otherwise.
Provenance
Chiswick Auctions, London, 5 December 2013 (as a watercolour of an unknown man by an unknown artist); Karen Taylor Fine Art; where acquired by the Courtauld Institute of Art for the Samuel Courtauld Trust, 2017
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