Émile Cardon, critique d'art
Maker
(artist)
1823-1891
(printmaker)
1823-1891
1823-1891
(printmaker)
1823-1891
Title
Émile Cardon, critique d'art
Date of Production
1876
Medium
etching
Dimensions
Height: 49.3 cm (sheet)
Width: 35.9 cm (sheet)
Width: 35.9 cm (sheet)
Accession Number
G.2017.XX.5
Mode of Acquisition
Donato Esposito, gift, 2017
Credit
The Courtauld, London (Samuel Courtauld Trust)
Copyright
Work in the public domain
Location
Not currently on display
Keywords
Label Text
Théodule Ribot (1823-1891) was primarily self-taught as a painter, earning a living as a sign painter and gilder before turning seriously to painting in the late 1850s. His reputation rests on his sober realist still-lifes and genre scenes, as well as portraits and a handful of religious subjects, characterised by close observation and strong chiaroscuro that were informed by his admiration for Ribera and Rembrandt, as well as by his practice of working at night by candlelight.
This etching, which dates from the end of Ribot’s career (which was cut short by illness in 1878), depicts the art critic Émile Cardon (1824-1899), dressed in a suit and soft cap and holding a cigarette, against a dark background. The dramatic contrast between light and dark emphasises the sitter’s face and hand as the primary sources of light. The rendering of the face conveys a vivid sense of the sitter’s irascible personality (he is best remembered today for his scathing critiques of Impressionism, contemporaneous with this etching).
This etching, which dates from the end of Ribot’s career (which was cut short by illness in 1878), depicts the art critic Émile Cardon (1824-1899), dressed in a suit and soft cap and holding a cigarette, against a dark background. The dramatic contrast between light and dark emphasises the sitter’s face and hand as the primary sources of light. The rendering of the face conveys a vivid sense of the sitter’s irascible personality (he is best remembered today for his scathing critiques of Impressionism, contemporaneous with this etching).
Provenance
Turquin (French, 19th century), to whom presented by artist; Roger Marx (French,1859–1913), Lugt 2229; Henri Marie Petiet (French, 1894–1980), Lugt 5031; his sale, Ader Nordmann, Paris, 20 October 2016, lot 305 (625€ [with commission] to Donato Esposito
Inscriptions
Inscription: Recto, lower left corner within plate mark, printed : t. Ribot
Inscription: Recto, lower right, below platemark, handwritten in brown ink : 3ième état 7ième épreuve/T. Ribot//à Monsieur Turquin [La ...?]/son bien dévoué serviteur/T Ribot
Collector's mark: Recto, lower right, R. M X (enclosed in an oval)
Collector's mark: Verso, lower right, black ink, H. M. P (enclosed in an oval)
Inscription: Verso, lower right, handwritten in pencil : 268 / 655036
Inscription: Recto, lower right, below platemark, handwritten in brown ink : 3ième état 7ième épreuve/T. Ribot//à Monsieur Turquin [La ...?]/son bien dévoué serviteur/T Ribot
Collector's mark: Recto, lower right, R. M X (enclosed in an oval)
Collector's mark: Verso, lower right, black ink, H. M. P (enclosed in an oval)
Inscription: Verso, lower right, handwritten in pencil : 268 / 655036
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