A View of Ben Eim
Maker
After
(artist)
active 1780-1811 (Life dates)
(printmaker)
ca. 1750-1831 (Life dates)
(publisher)
(artist)
active 1780-1811 (Life dates)
(printmaker)
ca. 1750-1831 (Life dates)
(publisher)
Title
A View of Ben Eim
Date of Production
1813
Medium
etching and engraving on paper
printed in black
printed in black
Dimensions
Height: 14.9 cm
Width: 19.4 cm
Width: 19.4 cm
Accession Number
G.1990.WL.7351
Mode of Acquisition
Witt Library, transfer, 1990
Credit
The Courtauld, London (Samuel Courtauld Trust)
Copyright
Work in the public domain
Location
Not currently on display
Keywords
Provenance
Information not yet known or updated
Inscriptions
Inscription: Engraved by S. Middiman //
Inscription: Drawn by A. Callander. //
Inscription: A VIEW OF BEN EIM. / Pub.d Jan.y 1. 1813, by Boydell & Co. 90, Cheapside, London. //
Label: VIEW of BEN ISM, or BEN EIM, / On the Estate of Sir ALEXANDER CAMPBELL, Bart. / RECKONED the highest Hill in the West Highlands, being three Thousand four Hundred feet from the Level of the Sea. / It is situated about ten Miles from Loch-Lomond, and by it is the Pass of Glen Crow, with the famous Military Road, made at / an immense Labour and Expence. When the Weather is Stormy the highest Peak is often lost in the Clouds, in the Manner in / which the Print represents it; and the Base being composed of white Cliffs, and reflecting the Light spread upon the circum- / jacent Plains, adds considerably to the Majesty and Grandeur of the Scene. //
Inscription: Drawn by A. Callander. //
Inscription: A VIEW OF BEN EIM. / Pub.d Jan.y 1. 1813, by Boydell & Co. 90, Cheapside, London. //
Label: VIEW of BEN ISM, or BEN EIM, / On the Estate of Sir ALEXANDER CAMPBELL, Bart. / RECKONED the highest Hill in the West Highlands, being three Thousand four Hundred feet from the Level of the Sea. / It is situated about ten Miles from Loch-Lomond, and by it is the Pass of Glen Crow, with the famous Military Road, made at / an immense Labour and Expence. When the Weather is Stormy the highest Peak is often lost in the Clouds, in the Manner in / which the Print represents it; and the Base being composed of white Cliffs, and reflecting the Light spread upon the circum- / jacent Plains, adds considerably to the Majesty and Grandeur of the Scene. //
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