The Naughty Boy
Maker
After
(artist)
1802-1873
(engraver)
(publisher)
(artist)
1802-1873
(engraver)
(publisher)
Title
The Naughty Boy
Date of Production
(c.) 1877
Medium
printed in black
etching and engraving
wove paper
etching and engraving
wove paper
Dimensions
Height: 31.7 cm
Width: 23.4 cm
Width: 23.4 cm
Accession Number
G.1990.WL.6134.37
Mode of Acquisition
Witt Library, transfer, 1990
Credit
The Courtauld, London (Samuel Courtauld Trust)
Copyright
Work in the public domain
Location
Not currently on display
Keywords
Provenance
Information not yet known or updated
Inscriptions
Inscription: SIR EDWIN LANDSEER. R.A. PINX.T //
Inscription: W. FINDEN. SCULP.T //
Inscription: THE NAUGHTY BOY. / LONDON, VIRTUE & Co. LIMITED. //
Inscription: T.O. /
Stamp: WITT / LIBRARY //
Label: THE NAUGHTY BOY. / ANOTHER of Landseer's portraits! In speaking of "Lad and Lassie" / we remarked how much more than is generally supposed of the artist's / times was given up to work of this nature. A collection of engravings / like the present would be incomplete if it did not contain examples / of such work. / The story runs that a young gentleman was brought by his mother to the artist's / studio to have his portrait painted; but the prospect of standing still so long by no / means suited the views of the youngster, who accordingly retired to a corner in much / the same state as he is here represented. The poor dress, book turned over, and / broken slate were, of course, added by the painter ... //
Inscription: W. FINDEN. SCULP.T //
Inscription: THE NAUGHTY BOY. / LONDON, VIRTUE & Co. LIMITED. //
Inscription: T.O. /
Stamp: WITT / LIBRARY //
Label: THE NAUGHTY BOY. / ANOTHER of Landseer's portraits! In speaking of "Lad and Lassie" / we remarked how much more than is generally supposed of the artist's / times was given up to work of this nature. A collection of engravings / like the present would be incomplete if it did not contain examples / of such work. / The story runs that a young gentleman was brought by his mother to the artist's / studio to have his portrait painted; but the prospect of standing still so long by no / means suited the views of the youngster, who accordingly retired to a corner in much / the same state as he is here represented. The poor dress, book turned over, and / broken slate were, of course, added by the painter ... //
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