High Life
Maker
After
(artist)
1802-1873
(engraver)
active 1830-1900 (Life dates)
(publisher)
(artist)
1802-1873
(engraver)
active 1830-1900 (Life dates)
(publisher)
Title
High Life
Date of Production
(c.) 1877
Medium
printed in black
etching and engraving
wove paper
etching and engraving
wove paper
Dimensions
Height: 31.7 cm
Width: 23.4 cm
Width: 23.4 cm
Accession Number
G.1990.WL.6134.36
Mode of Acquisition
Witt Library, transfer, 1990
Credit
The Courtauld, London (Samuel Courtauld Trust)
Copyright
Work in the public domain
Location
Not currently on display
Keywords
Provenance
Information not yet known or updated
Inscriptions
Inscription: SIR EDWIN LANDSEER. R.A. PINX.T //
Inscription: H. BECKWITH. SCULP.T //
Inscription: HIGH LIFE. / LONDON, VIRTUE & Co. LIMITED. //
Inscription: T.O. /
Stamp: WITT / LIBRARY //
Label: HIGH LIFE. / A MOST aristocratic deerhound, seated at his ease, and, as many would / venture to say, indulging in a train of thought, forms the canine ideal of / "High Life." We see, by looking through the window, that the apart- / ment is in a large castle; and by the trifles scattered over the table it / seems to belong especially to the knight or baron whose the castle is. / The dog in this picture is supposed by some to be a portrait of Sir Walter Scott's / celebrated Maida, to whose aversion to artists allusion has before been made; yet / Maida was very old when Landseer first saw him, and of a different colour. / "High Life" was painted in 1829, when the artist was only twenty-seven years of / age. It was exhibited at the British Institution in 1831, and was presented to the / nation by the late R. Vernon Esq., in 1847. R. J. Lane, A.R.A., lithographed it in / 1834, and it has since been engraved by C. C. Hollyer and H. S. Beckwith. //
Inscription: H. BECKWITH. SCULP.T //
Inscription: HIGH LIFE. / LONDON, VIRTUE & Co. LIMITED. //
Inscription: T.O. /
Stamp: WITT / LIBRARY //
Label: HIGH LIFE. / A MOST aristocratic deerhound, seated at his ease, and, as many would / venture to say, indulging in a train of thought, forms the canine ideal of / "High Life." We see, by looking through the window, that the apart- / ment is in a large castle; and by the trifles scattered over the table it / seems to belong especially to the knight or baron whose the castle is. / The dog in this picture is supposed by some to be a portrait of Sir Walter Scott's / celebrated Maida, to whose aversion to artists allusion has before been made; yet / Maida was very old when Landseer first saw him, and of a different colour. / "High Life" was painted in 1829, when the artist was only twenty-seven years of / age. It was exhibited at the British Institution in 1831, and was presented to the / nation by the late R. Vernon Esq., in 1847. R. J. Lane, A.R.A., lithographed it in / 1834, and it has since been engraved by C. C. Hollyer and H. S. Beckwith. //
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