The Three Dogs
Maker
After
(artist)
1802-1873
(engraver)
1807-1876
(publisher)
(artist)
1802-1873
(engraver)
1807-1876
(publisher)
Title
The Three Dogs
Date of Production
(c.) 1877
Medium
steel engraving
printed in black
wove paper
engraving
printed in black
wove paper
engraving
Dimensions
Height: 23.4 cm
Width: 31.8 cm
Width: 31.8 cm
Accession Number
G.1990.WL.6134.33
Mode of Acquisition
Witt Library, transfer, 1990
Credit
The Courtauld, London (Samuel Courtauld Trust)
Copyright
Work in the public domain
Location
Not currently on display
Keywords
Provenance
Information not yet known or updated
Inscriptions
Inscription: SIR EDWIN LANDSEER. R.A. PINX.T //
Inscription: C. MOTTRAM. SCULP.T //
Inscription: THE THREE DOGS. / LONDON, VIRTUE & Co. LIMITED. //
Inscription: T.O. / t.o. /
Stamp: WITT / LIBRARY //
Label: THE THREE DOGS. / THERE are good reasons for supposing that this drawing is the result / of three distinct studies, though we must confess there is no direct / evidence to that effect. Drawn in 1842 or 1843, at a time when / Landseer was often engaged in making sketches of dogs belonging to / the Queen and the Prince Consort, it is quite likely to have been composed from three / such portraits. / The terrier and the sitting bloodhound have their attention fixed on a common / object, but the third dog is looking in a different direction. There is just the same / amount of watchfulness expressed in the eyes of all three; that is, if we allow the / less dignified terrier to be more excited in proportion than the solemn-looking hounds. / There is a certain contrast in placing the terrier in such company, though the / picture depends but little on it; such a contrast is fully worked out in the well-known / "Dignity and Impudence." The shrewd and cheerful terrier may be more pleasant / to us, and more of a companion, than the graceful animal which sits looking over his / shoulder. //
Inscription: C. MOTTRAM. SCULP.T //
Inscription: THE THREE DOGS. / LONDON, VIRTUE & Co. LIMITED. //
Inscription: T.O. / t.o. /
Stamp: WITT / LIBRARY //
Label: THE THREE DOGS. / THERE are good reasons for supposing that this drawing is the result / of three distinct studies, though we must confess there is no direct / evidence to that effect. Drawn in 1842 or 1843, at a time when / Landseer was often engaged in making sketches of dogs belonging to / the Queen and the Prince Consort, it is quite likely to have been composed from three / such portraits. / The terrier and the sitting bloodhound have their attention fixed on a common / object, but the third dog is looking in a different direction. There is just the same / amount of watchfulness expressed in the eyes of all three; that is, if we allow the / less dignified terrier to be more excited in proportion than the solemn-looking hounds. / There is a certain contrast in placing the terrier in such company, though the / picture depends but little on it; such a contrast is fully worked out in the well-known / "Dignity and Impudence." The shrewd and cheerful terrier may be more pleasant / to us, and more of a companion, than the graceful animal which sits looking over his / shoulder. //
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