The Marmozettes
Maker
After
(artist)
1802-1873
(engraver)
1795-1880
(publisher)
(artist)
1802-1873
(engraver)
1795-1880
(publisher)
Title
The Marmozettes
Date of Production
(c.) 1877
Medium
wove paper
etching and engraving
printed in black
etching and engraving
printed in black
Dimensions
Height: 23.4 cm
Width: 31.7 cm
Width: 31.7 cm
Accession Number
G.1990.WL.6134.28
Mode of Acquisition
Witt Library, transfer, 1990
Credit
The Courtauld, London (Samuel Courtauld Trust)
Copyright
Work in the public domain
Location
Not currently on display
Keywords
pineapple (fruit)
Provenance
Information not yet known or updated
Inscriptions
Inscription: SIR EDWIN LANDSEER. R.A. PINX.T //
Inscription: T. LANDSEER. SCULP.T //
Inscription: THE MARMOZETTES. //
Inscription: T.O. /
Stamp: WITT / LIBRARY //
Label: THE MARMOZETTES. / THE Marmozette, or Brazilian monkey, when full grown, is from seven to / eight inches long, and the tail generally measures nearly a foot. A tuft / of white hair sticks out on each side of the head, and then shows a / strange contrast with the surrounding parts, which are black. We quote / a short account from the Rev. J. G. Wood's "Natural History:" - "The Marmozet / is a most interesting little creature. It is exceedingly sensitive to cold, and when in / England is ususally occupied in nestling among the materials for its bed, which it heaps / up in one corner, and out of which it seldom emerges entirely. It will eat almost / any article of food, but is especially fond of insects, which it dispatches in a very / adroit manner..... Its fondness for insects is carried so far, that it has been known / to pinch out the figures of beetles in entomological work, and swallow them.... / This pretty little monkey is also called the Quistiti, from its peculiar whistling cry when / alarmed or provoked." / The two pretty little animals represented here sitting on a large pineapple are / intently watching a wasp which has just settled before them, and of which they seem / anxious to make a prize. The expressions of the faces are in the artist's best style. / The picture was painted for the Queen, and hangs at Osborne. It has been / exhibited three times- (i) at the Royal Academy in 1842, (ii) at Paris in 1855, (iii) at / the International Exhibition, 1862. It was engraved by Thomas Landseer, the artist's / brother, for the Royal Gallery in 1858. //
Inscription: T. LANDSEER. SCULP.T //
Inscription: THE MARMOZETTES. //
Inscription: T.O. /
Stamp: WITT / LIBRARY //
Label: THE MARMOZETTES. / THE Marmozette, or Brazilian monkey, when full grown, is from seven to / eight inches long, and the tail generally measures nearly a foot. A tuft / of white hair sticks out on each side of the head, and then shows a / strange contrast with the surrounding parts, which are black. We quote / a short account from the Rev. J. G. Wood's "Natural History:" - "The Marmozet / is a most interesting little creature. It is exceedingly sensitive to cold, and when in / England is ususally occupied in nestling among the materials for its bed, which it heaps / up in one corner, and out of which it seldom emerges entirely. It will eat almost / any article of food, but is especially fond of insects, which it dispatches in a very / adroit manner..... Its fondness for insects is carried so far, that it has been known / to pinch out the figures of beetles in entomological work, and swallow them.... / This pretty little monkey is also called the Quistiti, from its peculiar whistling cry when / alarmed or provoked." / The two pretty little animals represented here sitting on a large pineapple are / intently watching a wasp which has just settled before them, and of which they seem / anxious to make a prize. The expressions of the faces are in the artist's best style. / The picture was painted for the Queen, and hangs at Osborne. It has been / exhibited three times- (i) at the Royal Academy in 1842, (ii) at Paris in 1855, (iii) at / the International Exhibition, 1862. It was engraved by Thomas Landseer, the artist's / brother, for the Royal Gallery in 1858. //
Information on this object may be incomplete and will be updated as research progresses. We are particularly committed to addressing any discriminatory or offensive language and ideas that might be present in our records. To help improve this record, and to enquire about images of The Courtauld Gallery Collection, please email gallery.collectionsonline@courtauld.ac.uk. Find out more about using and licensing our images.
____________________________