The Beggar
Maker
After
(artist)
1802-1873
(printmaker)
1802-1897
(publisher)
(artist)
1802-1873
(printmaker)
1802-1897
(publisher)
Title
The Beggar
Date of Production
(c.) 1877
Medium
wove paper
etching
printed in black
etching
printed in black
Dimensions
Height: 23.4 cm
Width: 31.7 cm
Width: 31.7 cm
Accession Number
G.1990.WL.6134.27
Mode of Acquisition
Witt Library, transfer, 1990
Credit
The Courtauld, London (Samuel Courtauld Trust)
Copyright
Work in the public domain
Location
Not currently on display
Keywords
Provenance
Information not yet known or updated
Inscriptions
Inscription: SIR EDWIN LANDSEER. R.A. PINX.T //
Inscription: J. C. ARMYTAGE, SCULP.T //
Inscription: THE BEGGAR. / LONDON, VIRTUE & Co. LIMITED. //
Inscription: T.O. /
Stamp: WITT / LIBRARY //
Label: THE BEGGAR. / IT will be seen by a note on this sketch that it belongs to the year 1824, / and we may add that it is one of the few pieces etched by Landseer / himself. The original passed to Messrs. Agnew at the artist's sale, and / is now in the possession of C. W. Mansel Lewis, Esq., Stradley, Llanelly. / A strange mixture will at once be noted in the group, the the hat and stick are / indicative of a blind master, who would be most unlikely to be carrying about a baby / in a basket and a hare; nor does it seem easy to understand exactly why these latter / objects were put in. The explanation given by Mr. W. Cosmo Monkhouse, in a notice / of this picture, seems sufficiently satisfactory - perhaps the more so because it must / be allowed no other is forthcoming. He suggests that at first it was simply intended / to represent a blind beggar's dog, the hat and stick being put in to signify as much, / but that afterwards the sketch was engraved on a card for soliciting contributions to / the Royal Schools of Industry, and the other objects were introduced to fit it for that / purpose. The way in which the dog holds the pannikan between his teeth shows him / to be of some experience. To any but a practised "beggar" the tin would seem / continually on the point of slipping from the mouth, and would, in consequence, be / held further down and more firmly. //
Inscription: EL / 1824 //
Inscription: J. C. ARMYTAGE, SCULP.T //
Inscription: THE BEGGAR. / LONDON, VIRTUE & Co. LIMITED. //
Inscription: T.O. /
Stamp: WITT / LIBRARY //
Label: THE BEGGAR. / IT will be seen by a note on this sketch that it belongs to the year 1824, / and we may add that it is one of the few pieces etched by Landseer / himself. The original passed to Messrs. Agnew at the artist's sale, and / is now in the possession of C. W. Mansel Lewis, Esq., Stradley, Llanelly. / A strange mixture will at once be noted in the group, the the hat and stick are / indicative of a blind master, who would be most unlikely to be carrying about a baby / in a basket and a hare; nor does it seem easy to understand exactly why these latter / objects were put in. The explanation given by Mr. W. Cosmo Monkhouse, in a notice / of this picture, seems sufficiently satisfactory - perhaps the more so because it must / be allowed no other is forthcoming. He suggests that at first it was simply intended / to represent a blind beggar's dog, the hat and stick being put in to signify as much, / but that afterwards the sketch was engraved on a card for soliciting contributions to / the Royal Schools of Industry, and the other objects were introduced to fit it for that / purpose. The way in which the dog holds the pannikan between his teeth shows him / to be of some experience. To any but a practised "beggar" the tin would seem / continually on the point of slipping from the mouth, and would, in consequence, be / held further down and more firmly. //
Inscription: EL / 1824 //
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