The Friend in Suspense
Maker
After
(artist)
1802-1873
(engraver)
1808-1880
(publisher)
(artist)
1802-1873
(engraver)
1808-1880
(publisher)
Title
The Friend in Suspense
Date of Production
(c.) 1877
Medium
printed in black
wove paper
etching and engraving
wove paper
etching and engraving
Dimensions
Height: 23.5 cm
Width: 31.7 cm
Width: 31.7 cm
Accession Number
G.1990.WL.6134.21
Mode of Acquisition
Witt Library, transfer, 1990
Credit
The Courtauld, London (Samuel Courtauld Trust)
Copyright
Work in the public domain
Location
Not currently on display
Keywords
Provenance
Information not yet known or updated
Inscriptions
Inscription: T.O. //
Inscription: SIR EDWIN LANDSEER. R.A. PINX.T //
Stamp: WITT / LIBRARY //
Label: THE FRIEND IN SUSPENSE. / THIS noble dog," says Jesse, speaking of the Newfoundland, "may be / justly styled the friend and guardian of his master;" none surely more / faithful, or so fully possessed of the instinctive desire to save human life. / By the drops of blood on the floor in this picture, the dog's master / must have been carried wounded through the room in which the scene lies to that / beyond. The earnest, piercing look in the dog's eyes is worthy of all admiration: / his is a noble sorrow nobly borne. Those who have the good fortune to possess an / animal of this kind cannot fail to notice how wonderfully real is the attitude in which / the dog is drawn. / "The Friend in Suspense" was painted in 1834, two years after "Waiting for the / Countess," with which we think it should certainly be contrasted. A large lithograph / by Jacob Bell, Esq., is in the collection of Her Majesty the Queen. There are / engravings by B. P. Gibbon, made in 1837, and by J. C. Webb, besides the work of / Mr. C. G. Lewis before us. //
Inscription: C. LEWIS, SCULP.T //
Inscription: THE FRIEND IN SUSPENSE. //
Inscription: SIR EDWIN LANDSEER. R.A. PINX.T //
Stamp: WITT / LIBRARY //
Label: THE FRIEND IN SUSPENSE. / THIS noble dog," says Jesse, speaking of the Newfoundland, "may be / justly styled the friend and guardian of his master;" none surely more / faithful, or so fully possessed of the instinctive desire to save human life. / By the drops of blood on the floor in this picture, the dog's master / must have been carried wounded through the room in which the scene lies to that / beyond. The earnest, piercing look in the dog's eyes is worthy of all admiration: / his is a noble sorrow nobly borne. Those who have the good fortune to possess an / animal of this kind cannot fail to notice how wonderfully real is the attitude in which / the dog is drawn. / "The Friend in Suspense" was painted in 1834, two years after "Waiting for the / Countess," with which we think it should certainly be contrasted. A large lithograph / by Jacob Bell, Esq., is in the collection of Her Majesty the Queen. There are / engravings by B. P. Gibbon, made in 1837, and by J. C. Webb, besides the work of / Mr. C. G. Lewis before us. //
Inscription: C. LEWIS, SCULP.T //
Inscription: THE FRIEND IN SUSPENSE. //
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