Waiting for the Countess
Maker
After
(artist)
1802-1873
(engraver)
1808-1880
(publisher)
(artist)
1802-1873
(engraver)
1808-1880
(publisher)
Title
Waiting for the Countess
Date of Production
(c.) 1877
Medium
printed in black
wove paper
engraving
wove paper
engraving
Dimensions
Height: 23.5 cm
Width: 31.5 cm
Width: 31.5 cm
Accession Number
G.1990.WL.6134.14
Mode of Acquisition
Witt Library, transfer, 1990
Credit
The Courtauld, London (Samuel Courtauld Trust)
Copyright
Work in the public domain
Location
Not currently on display
Keywords
Provenance
Information not yet known or updated
Inscriptions
Inscription: WAITING FOR THE COUNTESS / LONDON: VIRTUE & Co. LIMITED. //
Inscription: T.O. //
Inscription: SIR EDWIN LANDSEER. R.A. PINX.T //
Stamp: WITT / LIBRARY //
Label: WAITING FOR THE COUNTESS. / THE graceful bloodhound here represented was given to the late Countess / of Blessington by the then King of Naples. The picture was painted / by Landseer at the express request of the dog's mistress, whose friend he / was, her mansion in Kensington being at that time open to many who / had distinguished themselves in the higher walks of literature and art. Lady / Blessington edited the Book of Beauty and the Keepsake for several years, and in / addition contributed to several of the leading magazines. / The bloodhound is celebrated in history, and chiefly from that well-known power / of scent from which its name originates. Wallace, we are told in the history of / Scotland, was on one occasion nearly captured by means of one of these animals; and / it is still better known how the Maroon revolt in Jamaica was brought under by their / use. Now that our present state of civilisation rightly forbids their being employed to / chase a human being, they are heard of only as handsome pets; in fact, they have / become the tall guardsmen in the army of domestic dogs. / "Waiting for the Countess" was painted in 1832. It was first engraved, as a / book-plate, by Lumb Stocks in 1835, again by C.W. Wass in 1850, and in the present / instance by Mr. C. G. Lewis. The original passed, at Lady Blessington's sale, to Mr. / Grundy, of Manchester, for two hundred and fifty guineas; by him it was sold to / Mr. C. W. Wass, from whom it passed to Messrs. Agnew, and thence to Mr. John / Chapman, the present owner. //
Inscription: C. G. LEWIS, SCULP.T //
Inscription: T.O. //
Inscription: SIR EDWIN LANDSEER. R.A. PINX.T //
Stamp: WITT / LIBRARY //
Label: WAITING FOR THE COUNTESS. / THE graceful bloodhound here represented was given to the late Countess / of Blessington by the then King of Naples. The picture was painted / by Landseer at the express request of the dog's mistress, whose friend he / was, her mansion in Kensington being at that time open to many who / had distinguished themselves in the higher walks of literature and art. Lady / Blessington edited the Book of Beauty and the Keepsake for several years, and in / addition contributed to several of the leading magazines. / The bloodhound is celebrated in history, and chiefly from that well-known power / of scent from which its name originates. Wallace, we are told in the history of / Scotland, was on one occasion nearly captured by means of one of these animals; and / it is still better known how the Maroon revolt in Jamaica was brought under by their / use. Now that our present state of civilisation rightly forbids their being employed to / chase a human being, they are heard of only as handsome pets; in fact, they have / become the tall guardsmen in the army of domestic dogs. / "Waiting for the Countess" was painted in 1832. It was first engraved, as a / book-plate, by Lumb Stocks in 1835, again by C.W. Wass in 1850, and in the present / instance by Mr. C. G. Lewis. The original passed, at Lady Blessington's sale, to Mr. / Grundy, of Manchester, for two hundred and fifty guineas; by him it was sold to / Mr. C. W. Wass, from whom it passed to Messrs. Agnew, and thence to Mr. John / Chapman, the present owner. //
Inscription: C. G. LEWIS, SCULP.T //
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