The Stag at Bay
Maker
After
(artist)
1802-1873
(engraver)
1807-1876
(publisher)
(artist)
1802-1873
(engraver)
1807-1876
(publisher)
Title
The Stag at Bay
Date of Production
(c.) 1877
Medium
steel engraving
printed in black
wove paper
engraving
printed in black
wove paper
engraving
Dimensions
Height: 23.4 cm
Width: 31.8 cm
Width: 31.8 cm
Accession Number
G.1990.WL.6134.1
Mode of Acquisition
Witt Library, transfer, 1990
Credit
The Courtauld, London (Samuel Courtauld Trust)
Copyright
Work in the public domain
Location
Not currently on display
Keywords
Provenance
Information not yet known or updated
Inscriptions
Inscription: SIR EDWIN LANDSEER. R.A. PINX.T //
Inscription: CHA.S MOTTRAM. SCULP.T //
Inscription: THE STAG AT BAY. / LONDON, VIRTUE & Co. LIMITED. //
Inscription: Ken Wood / T.O. / t.o. /
Inscription: Exh RA, 1846 (165) //
Stamp: WITT / LIBRARY //
Label: THE STAG AT BAY. / HERE we have before us some of this artist's best work; for the / subject united Highland scenery and surroundings, such as he loved / best to paint, with those emotions of the nobler animals which he of / all others could well portray. A fine stag has been brought to bay in the shallow water at the edge of a Highland lake, after a long chase, by two of / the celebrated Scotch deerhounds. One of them lies disabled before him: the / other is barking its loudest defiance, yet hesitates to rush in; though by the half- / frightened yet still determined look of its eye we see it feels the crisis has come. / It has often been objected that the expressions of Landseer's animals are too / human; by the study of such a picture as this the objection is fully understood, and, / we think, fully answered. The execution is faultless; and if we cannot bear to gaze / long on the canvas, it is because our feelings of pity will not permit us to contemplate / unmoved a scene of intense animal suffering depicted by so masterly a hand. The / case might be different did the reality come before us in the full excitement of the / chase. / This picture was painted in 1846, and exhibited at the Royal Academy in the / same year. The original now belongs to Lady E. Pringle. It has been engraved by / Thomas Landseer in 1848, by A. Zobel, and in the present instance by Charles / Mottram. //
Inscription: CHA.S MOTTRAM. SCULP.T //
Inscription: THE STAG AT BAY. / LONDON, VIRTUE & Co. LIMITED. //
Inscription: Ken Wood / T.O. / t.o. /
Inscription: Exh RA, 1846 (165) //
Stamp: WITT / LIBRARY //
Label: THE STAG AT BAY. / HERE we have before us some of this artist's best work; for the / subject united Highland scenery and surroundings, such as he loved / best to paint, with those emotions of the nobler animals which he of / all others could well portray. A fine stag has been brought to bay in the shallow water at the edge of a Highland lake, after a long chase, by two of / the celebrated Scotch deerhounds. One of them lies disabled before him: the / other is barking its loudest defiance, yet hesitates to rush in; though by the half- / frightened yet still determined look of its eye we see it feels the crisis has come. / It has often been objected that the expressions of Landseer's animals are too / human; by the study of such a picture as this the objection is fully understood, and, / we think, fully answered. The execution is faultless; and if we cannot bear to gaze / long on the canvas, it is because our feelings of pity will not permit us to contemplate / unmoved a scene of intense animal suffering depicted by so masterly a hand. The / case might be different did the reality come before us in the full excitement of the / chase. / This picture was painted in 1846, and exhibited at the Royal Academy in the / same year. The original now belongs to Lady E. Pringle. It has been engraved by / Thomas Landseer in 1848, by A. Zobel, and in the present instance by Charles / Mottram. //
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