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Drawings at Naples (Lady Hamilton's Attitudes)

Maker

(artist)
1758-1835

(engraver)
ca. 1752-1824 (Life dates)

Title

Drawings at Naples (Lady Hamilton's Attitudes)

Medium

medium : material : ink & support : material : paper

Accession Number

G.1990.WL.3366

Mode of Acquisition

Witt Library, transfer, 1990

Credit

The Courtauld, London (Samuel Courtauld Trust)

Copyright

Work in the public domain

Location

Not currently on display

Keywords



Label Text

A set of prints originally published as a single volume. Emma, or Lady Hamilton, performed her classically-inspired 'attitudes' from 1787 to audiences of invited guests in Naples, where her husband Sir William was British Envoy. She based her poses on scenes from Greek vase paintings.

In 1794 the attitudes were the subject of a set of prints by Tommaso Piroli. Owing to the popularity of Neoclassical fashions, the images soon became widespread. Subsequent editions were published throughout the nineteenth century. Piroli’s prints (and implicitly Lady Hamilton, by then resident back in London) were also the subject of satire. In 1807, they were mocked by printmaker James Gillray in a series which cast the renowned beauty as an ungainly frump.

Provenance

Information not yet known or updated

Literature

González, Javier Novo, 'Raising Friedrich Rehberg: the artist behind Cain: at the Bilbao Fine Arts Museum' in 'B’09 : Buletina = Boletín = Bulletin', no. 5 (2010), Bilbao: Bilbao Fine Arts Museum, pp. 139-217.
pp. 13-14
fig. 10-11 p.14

Contogouris, Ersy, "Emma Hamilton, a Model of Agency in Late Eighteenth-Century Europe", PhD dissertation, Montréal: Département d’histoire de l’art et d’études cinématographiques, Université de Montréal, 2014.
112-118
fig. 39,40,41 pp. 114
Discusses the various editions of Lady Hamilton's Attitudes which were published, which give a clue as to the date of this set.

Inscriptions

Inscription: inscription :

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