Lower part of third panel from left - woman with children and dog (fragment of a panel from the screen The Nannies' Promenade)
Maker
(Artists)
1867-1947
1867-1947
Title
Lower part of third panel from left - woman with children and dog (fragment of a panel from the screen The Nannies' Promenade)
Date of Production
1897
Medium
lithograph
Dimensions
Height: 102.9 cm (paper)
Width: 45.7 cm (paper)
Width: 45.7 cm (paper)
Accession Number
G.1982.LB.2.4
Mode of Acquisition
Lillian Browse, gift, 1982
Credit
The Courtauld, London (Samuel Courtauld Trust)
Copyright
Work in the public domain
Location
Not currently on display
Keywords
Label Text
An elegant Parisian woman trailed by children and a dog is rendered in blocks of subtle colour and cast adrift in space. The fascination with flat pattern is typical of Bonnard and his fellow Nabis (‘prophets’), a group of avant-garde artists active in Paris in the 1890s. This unusually elongated print was originally part of a panel of a folding screen. Bonnard had a strong affinity with Japanese art and produced a number of Japanese-influenced screens. The Nannies’ Promenade was the only one to be composed of prints rather than painted panels.
Notes
One of five fragments (d) from Le Paravent - La Promenade des Nourrices frise de fiacres.
Provenance
Lillian Browse Gift 1982
Exhibition History
Bruegel to Freud: Prints from The Courtauld Gallery, The Courtauld Gallery, London, 19/06/2014-21/09/2014
Manet to Matisse - French Prints from the Courtauld, Finchley & London & England, 27/06/2008-16/08/2008
A Private Collection of late 19th and 20th Century Paintings and Sculpture, Courtauld Institute Galleries, London, 12/02/1983-10/04/1983
Manet to Matisse - French Prints from the Courtauld, Finchley & London & England, 27/06/2008-16/08/2008
A Private Collection of late 19th and 20th Century Paintings and Sculpture, Courtauld Institute Galleries, London, 12/02/1983-10/04/1983
Literature
A Private Collection of late 19th and 20th century Paintings and Sculpture, Courtauld Institute Gallery, London, 1983
cat. no. 3
cat. no. 3
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