by-nc

Saints Peter and John Healing the Lame Man

Maker

(artist)
1483-1520

(etcher)
1503-1540

Title

Saints Peter and John Healing the Lame Man

Date of Production

c. 1524 - 25

Medium

Etching and engraving from one tone block on laid paper, edges trimmed, registration holes in all four corners

Dimensions

Height: 28.1 cm
Width: 41 cm

Accession Number

G.1978.PG.37

Mode of Acquisition

Count Antoine Seilern, bequest, 1978

Credit

The Courtauld, London (Samuel Courtauld Trust)

Copyright

Work in the public domain

Location

Not currently on display

Keywords




Provenance

Colnaghi, London, by 1957; purchased there by Count Antoine Seilern, London (1901-1978), 25 January 1957 (£12); Princes Gate bequest, 1978

Exhibition History

Drawings Gallery Display - The Art of Experiment: Parmigianino at The Courtauld, The Courtauld Gallery, London, 03/05/2022-06/05/2022

Parmigianino - Paintings, Drawings, Prints, The Courtauld Gallery, London, 14/05/1987-12/07/1987

Literature

The Art of Experiment: Parmigianino at The Courtauld, The Courtauld Gallery, London, 2022
cat. no. 22
and on p. 19
ill. on p. 115, detail on p. 116, watermark is fig. 99 on p. 177

Jenkins, Catherine, Nadine M. Orenstein and Freyda Spira (eds.), The Renaissance of etching, Metropolitan Museum of Art, New York, 2019
pp. 132-33, 139-40, no. 58

Takahatake, Naoko (ed.), The Chiaroscuro Woodcut in Renaissance Italy, Los Angeles County Museum of Art, 2018, Munich, London, New York
pp. 121-23 ...More

Gnann, Achim (ed.), In Farbe! Clair-obscur-Holzschnitte der Renaissance aus der Sammlung Baselitz und der Albertina, Albertina, Vienna, 2013-14
pp. 144-49, nos. 56-59

Parmigianino: the alchemy of beauty: drawings and prints, Museum of Fine Arts, Budapest, 1 Dec. 2009 - 15 Mar. 2010
pp. 86-87

Gnann, Achim, Parmigianino: Die Zeichnungen, Petersberg 2007
pp. 96-103, 171-73

Parmigianino tradotto: la fortuna di Francesco Mazzola nelle stampe di riproduzione fra il Cinquecento e l'Ottocento, Biblioteca palatina, Parma, 29 Mar. - 27 Sept. 2003
pp. 44-45

Gnann, Achim and Oberhuber, Konrad (eds.), Roma e lo stile classico di Raffaello: 1515-1527, Palazzo Te, Mantua and Albertina, Vienna, 1999
p. 376, no. 281
as Parmigianino?

Landau, David and Peter Parshall, The Renaissance print 1470-1550, New Haven and London 1994
p. 270

Parmigianino - Paintings, Drawings, Prints, Courtauld, London, 1987
cat. no. 36

Bartsch, Adam, Le peintre graveur, Vienna 1803-21
XVI.9.7.II ...Less

Inscriptions

Watermark: Watermark: recto, lower right, two shields [?] enclosed in an oval (not in Briquet?). Possibly also a medallion on a chain enclosed in a circle. 2022 catalogue entry reads it as possibly the head of a ram in a circle.

Inscription: recto, within image, lower left : I.V.R. //

Inscription: recto, lower margin, graphite : Parmegianino //

Inscription: verso, lower left, graphite : B.XVI.9.7II //

Inscription: verso, lower left, graphite : Nagl. Monogr. IV.187.617. //

Inscription: verso, lower right, graphite : Parmigiano / af. //

Inscription: verso, centre, vertically along crease, brown ink : E20 [?]

Inscription: verso, upper centre, graphite : 10 //

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