Saints Peter and John Healing the Lame Man
Maker
(artist)
1483-1520
(etcher)
1503-1540
1483-1520
(etcher)
1503-1540
Title
Saints Peter and John Healing the Lame Man
Date of Production
c. 1524 - 25
Medium
Etching and engraving from one tone block on laid paper, edges trimmed, registration holes in all four corners
Dimensions
Height: 28.1 cm
Width: 41 cm
Width: 41 cm
Accession Number
G.1978.PG.37
Mode of Acquisition
Count Antoine Seilern, bequest, 1978
Credit
The Courtauld, London (Samuel Courtauld Trust)
Copyright
Work in the public domain
Location
Not currently on display
Keywords
Provenance
Colnaghi, London, by 1957; purchased there by Count Antoine Seilern, London (1901-1978), 25 January 1957 (£12); Princes Gate bequest, 1978
Exhibition History
Drawings Gallery Display - The Art of Experiment: Parmigianino at The Courtauld, The Courtauld Gallery, London, 03/05/2022-06/05/2022
Parmigianino - Paintings, Drawings, Prints, The Courtauld Gallery, London, 14/05/1987-12/07/1987
Parmigianino - Paintings, Drawings, Prints, The Courtauld Gallery, London, 14/05/1987-12/07/1987
Literature
The Art of Experiment: Parmigianino at The Courtauld, The Courtauld Gallery, London, 2022
cat. no. 22
and on p. 19
ill. on p. 115, detail on p. 116, watermark is fig. 99 on p. 177
Jenkins, Catherine, Nadine M. Orenstein and Freyda Spira (eds.), The Renaissance of etching, Metropolitan Museum of Art, New York, 2019
pp. 132-33, 139-40, no. 58
Takahatake, Naoko (ed.), The Chiaroscuro Woodcut in Renaissance Italy, Los Angeles County Museum of Art, 2018, Munich, London, New York
pp. 121-23 ...More
Gnann, Achim (ed.), In Farbe! Clair-obscur-Holzschnitte der Renaissance aus der Sammlung Baselitz und der Albertina, Albertina, Vienna, 2013-14
pp. 144-49, nos. 56-59
Parmigianino: the alchemy of beauty: drawings and prints, Museum of Fine Arts, Budapest, 1 Dec. 2009 - 15 Mar. 2010
pp. 86-87
Gnann, Achim, Parmigianino: Die Zeichnungen, Petersberg 2007
pp. 96-103, 171-73
Parmigianino tradotto: la fortuna di Francesco Mazzola nelle stampe di riproduzione fra il Cinquecento e l'Ottocento, Biblioteca palatina, Parma, 29 Mar. - 27 Sept. 2003
pp. 44-45
Gnann, Achim and Oberhuber, Konrad (eds.), Roma e lo stile classico di Raffaello: 1515-1527, Palazzo Te, Mantua and Albertina, Vienna, 1999
p. 376, no. 281
as Parmigianino?
Landau, David and Peter Parshall, The Renaissance print 1470-1550, New Haven and London 1994
p. 270
Parmigianino - Paintings, Drawings, Prints, Courtauld, London, 1987
cat. no. 36
Bartsch, Adam, Le peintre graveur, Vienna 1803-21
XVI.9.7.II ...Less
cat. no. 22
and on p. 19
ill. on p. 115, detail on p. 116, watermark is fig. 99 on p. 177
Jenkins, Catherine, Nadine M. Orenstein and Freyda Spira (eds.), The Renaissance of etching, Metropolitan Museum of Art, New York, 2019
pp. 132-33, 139-40, no. 58
Takahatake, Naoko (ed.), The Chiaroscuro Woodcut in Renaissance Italy, Los Angeles County Museum of Art, 2018, Munich, London, New York
pp. 121-23 ...More
Gnann, Achim (ed.), In Farbe! Clair-obscur-Holzschnitte der Renaissance aus der Sammlung Baselitz und der Albertina, Albertina, Vienna, 2013-14
pp. 144-49, nos. 56-59
Parmigianino: the alchemy of beauty: drawings and prints, Museum of Fine Arts, Budapest, 1 Dec. 2009 - 15 Mar. 2010
pp. 86-87
Gnann, Achim, Parmigianino: Die Zeichnungen, Petersberg 2007
pp. 96-103, 171-73
Parmigianino tradotto: la fortuna di Francesco Mazzola nelle stampe di riproduzione fra il Cinquecento e l'Ottocento, Biblioteca palatina, Parma, 29 Mar. - 27 Sept. 2003
pp. 44-45
Gnann, Achim and Oberhuber, Konrad (eds.), Roma e lo stile classico di Raffaello: 1515-1527, Palazzo Te, Mantua and Albertina, Vienna, 1999
p. 376, no. 281
as Parmigianino?
Landau, David and Peter Parshall, The Renaissance print 1470-1550, New Haven and London 1994
p. 270
Parmigianino - Paintings, Drawings, Prints, Courtauld, London, 1987
cat. no. 36
Bartsch, Adam, Le peintre graveur, Vienna 1803-21
XVI.9.7.II ...Less
Inscriptions
Watermark: Watermark: recto, lower right, two shields [?] enclosed in an oval (not in Briquet?). Possibly also a medallion on a chain enclosed in a circle. 2022 catalogue entry reads it as possibly the head of a ram in a circle.
Inscription: recto, within image, lower left : I.V.R. //
Inscription: recto, lower margin, graphite : Parmegianino //
Inscription: verso, lower left, graphite : B.XVI.9.7II //
Inscription: verso, lower left, graphite : Nagl. Monogr. IV.187.617. //
Inscription: verso, lower right, graphite : Parmigiano / af. //
Inscription: verso, centre, vertically along crease, brown ink : E20 [?]
Inscription: verso, upper centre, graphite : 10 //
Inscription: recto, within image, lower left : I.V.R. //
Inscription: recto, lower margin, graphite : Parmegianino //
Inscription: verso, lower left, graphite : B.XVI.9.7II //
Inscription: verso, lower left, graphite : Nagl. Monogr. IV.187.617. //
Inscription: verso, lower right, graphite : Parmigiano / af. //
Inscription: verso, centre, vertically along crease, brown ink : E20 [?]
Inscription: verso, upper centre, graphite : 10 //
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