Last Judgment
Maker
After
(artist)
1475-1564
(printer)
1562-1622
(engraver)
born 1507 or 1515, died ca. 1565 (Life dates)
(publisher)
1562-1622
(publisher)
1627-1691
(printer)
1627-1691
(artist)
1475-1564
(printer)
1562-1622
(engraver)
born 1507 or 1515, died ca. 1565 (Life dates)
(publisher)
1562-1622
(publisher)
1627-1691
(printer)
1627-1691
Title
Last Judgment
Date of Production
1562-1620
Medium
engraving
Accession Number
G.1970.XX.27
Mode of Acquisition
Johannes Wilde, bequest, 1970
Credit
The Courtauld, London (Samuel Courtauld Trust)
Copyright
Work in the public domain
Location
Not currently on display
Label Text
No less than seventeen different versions of Michelangelo’s Last Judgment fresco existed by the end of the sixteenth century, including this monumental engraving printed from ten plates. It was originally engraved in 1562 by the French printmaker Nicolas Beatrizet, a resident of Rome who specialized in the reproduction of Italian paintings and ancient views. The highly prized plates were reused by several subsequent printers, including the engraver and publisher Philippe Thomassin in 1620, whose signature appears at the bottom and replaces an earlier signature which had been scraped away. The complex history of the work demonstrates the continuous interest in Michelangelo’s famous composition.
Provenance
Information not yet known or updated
Exhibition History
Bruegel to Freud: Prints from The Courtauld Gallery, The Courtauld Gallery, London, 19/06/2014-21/09/2014
Special Display - Looking at Michelangelo, The Courtauld Gallery, London, 11/02/2010-06/06/2010
Special Display - Looking at Michelangelo, The Courtauld Gallery, London, 11/02/2010-06/06/2010
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