Sherborne Castle
Title
Sherborne Castle
Date of Production
1794
Medium
graphite, watercolour, touches of pen and grey ink on paper (unable to check if laid or wove)
Dimensions
Height: 25.5 cm
Width: 40 cm
Width: 40 cm
Accession Number
D.2024.ST.6
Mode of Acquisition
The Spooner Charitable Trust, gift, 2024
Credit
The Courtauld, London (Samuel Courtauld Trust). Gift of the Spooner Charitable Trust, 2024.
Copyright
Work in the public domain
Location
Not currently on display
Label Text
Thomas Rackett (1757-1840) was an English clergyman and antiquary who studied drawing with Paul Sandby and Thomas Theodosius Forrest. Although he served as the rector of Spetisbury, in Dorset, for over 60 years, he found ample time to pursue his interests in natural history and antiquarian research, both locally and in London. He was a fellow of the Royal Society, the Society of Antiquaries and the Linnaean Society. His activity as a draughtsman was closely aligned with these interests, and most of his surviving drawings and watercolours depict ancient buildings, primarily in Dorset. Prints were made after a number of his drawings and reproduced as illustrations in books and articles on related subjects.
This watercolour of the ruins of Sherborne Castle is typical of Rackett’s work; the restricted palette and clear outlining of forms reflects the 18th-century preference for the ‘stained drawing’ style of watercolour, as practiced by his drawing masters Sandby and Forrest. A colour aquatint made after it, probably in the early decades of the 19th century, by Henry Thomas Alken, is also in The Courtauld's collection (G.2024.ST.1).
This watercolour of the ruins of Sherborne Castle is typical of Rackett’s work; the restricted palette and clear outlining of forms reflects the 18th-century preference for the ‘stained drawing’ style of watercolour, as practiced by his drawing masters Sandby and Forrest. A colour aquatint made after it, probably in the early decades of the 19th century, by Henry Thomas Alken, is also in The Courtauld's collection (G.2024.ST.1).
Provenance
Leonard G. Duke, London; Thomas Agnew & Sons, London; The Swan Gallery, Sherborne, Dorset; where acquired by the Spooner Charitable Trust, 2023; gift to The Courtauld, 2024
Inscriptions
Inscription: none (though unable to see verso).
Collector's mark: none (though unable to see verso).
Watermark: unable to check as is fully laid down on mount.
Collector's mark: none (though unable to see verso).
Watermark: unable to check as is fully laid down on mount.
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