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View of the ruins of Kenilworth Castle

Maker

(artist)
1749-1819

Title

View of the ruins of Kenilworth Castle

Date of Production

1776

Medium

graphite, pen and grey ink, grey wash on laid paper, with grey and light brown ink framing lines

Dimensions

Height: 29.6 cm
Width: 46.6 cm

Accession Number

D.2018.ST.3

Mode of Acquisition

The Spooner Charitable Trust, gift, 2018

Credit

The Courtauld, London (Samuel Courtauld Trust)

Copyright

Work in the public domain

Location

Not currently on display

Keywords






Label Text

Little is known of the Welsh artist Moses Griffith. The scant documentation derives mainly from passing references made by his patron, Thomas Pennant of Downing (1726-1798), a Welsh naturalist, traveller, writer and antiquarian. Griffith worked for him as a servant from 1769, accompanying Pennant on various travels through Scotland (1769), Cumberland (1773), Yorkshire and Derbyshire (1777), and Cornwall (1787). Each tour started at Pennant’s home and related in detail the route, the scenery, the habits and activities of the people he met, their customs and the wildlife he saw or heard about. During these travels, Griffith was Pennant's personal draughtsman, sketching the places, people and things they encountered, later to work these up into illustrations that complemented the books published by Pennant relating the journeys (The British Zoology, 1761-1767; A Tour in Wales, 1778-1781; A Tour in Scotland, 1772; Literary Life, 1793; and others).

This drawing and D.2018.ST.4 illustrate two views of Kenilworth castle in Warwickshire. They were probably part of an album of 105 topographical views that was sold in 1938, and then dismembered. This sheet shows the ruins seen from the north east towards the stables, the Leicester Building (where Queen Elizabeth I resided) and the north gatehouse.

Provenance

probably part of an album of 105 topographical views, acquired from the artist by his patron, Thomas Pennant (1726-1798); by descent to his granddaughter, married to William Basil Percy Feilding, 7th Earl of Denbigh (1796-1865); by descent to Rudolph, Viscount Feilding (1885–1937); his sale, Christie’s (London), 4 July 1938, part of lot 250; purchased there by Walker’s Galleries (London) (exhibited by them with more than 100 others in February 1939); anonymous sale, Sotheby's (London), 31 October 1962, lot 29 (a parcel of drawings); purchased there by Michael Appleby (£45, with D.2018.ST.4 among otheres); private collection until 2014; their sale, Brightwells (Leominster, Herefordshire), 18 June 2014, lot 80; Guy Peppiatt Gallery, by May 2015; purchased there by the Spooner Charitable Trust for the Samuel Courtauld Trust, 2018

Exhibition History

An exhibition of watercolour drawings by Moses Griffith (1747-1819), Walker's Galleries, London, 1939

Inscriptions

Watermark: Watermark: centre: "I*VILLERY" (this iteration doesn't match anything in Heawood or Churchill).

Inscription: Recto: lower left, grey ink, signed and dated: "Moses Griffith delinn 1776" and below that in graphite, cat. no. from Walker's 1939 exhibition: "100"; lower centre, grey ink, letters formed with double lines: "KENIWORTH [sic] CASTLE". Verso: upper centre edge, graphite: "General View from E."; upper left, graphite: "50"; upper right, graphite, circled: "149"; lower centre, graphite: "S. 31.10.62 / Lot 29 / cost L/-/-"; lower right corner, graphite, circled: "50". Mount (removed, recorded in acquisition report): inside backboard, graphite: "10".

Collector's mark: none.

Label: Adhered to the verso, lower left, printed in black: “By MOSES GRIFFITH / B. 1747 D. 1819 / From the Thomas Pennant and / Earl of Denbigh collections.”.

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