Portrait of Fanny Kemble
Maker
James Curnock (artist)
1812-1870
After
(artist)
1769-1830
1812-1870
After
(artist)
1769-1830
Title
Portrait of Fanny Kemble
Date of Production
1838 or 1858?
Medium
black chalk on board
Papermaker's mark: Recto, upper left corner, blindstamped: an oval with a painter's palette surrounded by "TURNBULLS CRAYON BOARD".
Papermaker's mark: Recto, upper left corner, blindstamped: an oval with a painter's palette surrounded by "TURNBULLS CRAYON BOARD".
Dimensions
Height: 37.4 cm
Width: 29.8 cm
Width: 29.8 cm
Accession Number
D.2016.XX.28
Mode of Acquisition
David H. Solkin, gift, 2016
Credit
The Courtauld, London (Samuel Courtauld Trust)
Copyright
Work in the public domain
Location
Not currently on display
Keywords
Label Text
Although little known today, James Curnock enjoyed a successful career as a portraitist in his native Bristol, exhibiting at the Royal Academy and Suffolk Street, and a number of his works can be found in the collection of the Bristol City Art Gallery.
This pencil drawing dates from early in Curnock’s career and is a copy of Thomas Lawrence’s 1829 portrait of the celebrated actress Fanny Kemble (1809-1893). The Lawrence portrait was reproduced as a lithograph (some impressions of which are hand-coloured) and was widely copied. It appears that Curnock worked from an uncoloured impression of the lithograph to make this copy. The draughtsmanship is meticulous and delicate and the drawing most likely served as an exercise for the young artist, who worked in a similar style to Lawrence.
This pencil drawing dates from early in Curnock’s career and is a copy of Thomas Lawrence’s 1829 portrait of the celebrated actress Fanny Kemble (1809-1893). The Lawrence portrait was reproduced as a lithograph (some impressions of which are hand-coloured) and was widely copied. It appears that Curnock worked from an uncoloured impression of the lithograph to make this copy. The draughtsmanship is meticulous and delicate and the drawing most likely served as an exercise for the young artist, who worked in a similar style to Lawrence.
Provenance
purchased by David H. Solkin (b.1951), Walter H Annenberg Professor of the History of Art, The Courtauld Institute of Art, around 2012; Gift of David Solkin, 2016
Inscriptions
Collector's mark: none.
Inscription: Verso: right centre edge, graphite: "James Curnock 1838 / 58". Inside aperture mount (removed and now missing, recorded in acquisition report): graphite: “James Curnock (1812-1870) after Lawrence”.
Inscription: Verso: right centre edge, graphite: "James Curnock 1838 / 58". Inside aperture mount (removed and now missing, recorded in acquisition report): graphite: “James Curnock (1812-1870) after Lawrence”.
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