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Vorticist composition, yellow and green (formerly 'Gulliver in Liliput')
Maker
(artist)
1885-1963
1885-1963
Title
Vorticist composition, yellow and green (formerly 'Gulliver in Liliput')
Date of Production
(circa) 1915
Medium
graphite, brown ink and bodycolour on paper, with pinholes at all four corners, laid down on cardboard
Dimensions
Height: 30.8 cm
Width: 36.8 cm
Width: 36.8 cm
Accession Number
D.2016.XX.17
Mode of Acquisition
Brigid Peppin, gift, 2016
Credit
The Courtauld, London (Samuel Courtauld Trust)
Copyright
© Estate of Helen Saunders
Location
Not currently on display
Keywords
Label Text
Painted with such vigour that brush hairs are embedded in the paint layer, this vibrant large-scale work reveals Saunders’s gifts as a colourist. Interlocking planes of bright hues form a faceless giant with curled fists; tiny figures appear to leap and dive down the length of its body.
The posthumous title identifies the ‘giant’ as Gulliver rupturing the bonds placed on him by the Lilliputians. Given the time of its creation, the drawing may allude to human vulnerability in the face of an unstoppable destructive force.
The posthumous title identifies the ‘giant’ as Gulliver rupturing the bonds placed on him by the Lilliputians. Given the time of its creation, the drawing may allude to human vulnerability in the face of an unstoppable destructive force.
Provenance
with the artist until her death in 1963; bequeathed to her sister, Ethel Saunders; bequeathed to her first cousin once removed, Helen Peppin, 1971; given to her daughter, Brigid Peppin, 1989; offered by her as a gift and part-purchase to the Samuel Courtauld Trust, 2016
Exhibition History
Praxitella: Wyndham Lewis, Helen Saunders and Iris Barry, Leeds Art Gallery, 22/06/2023-05/11/2023
Drawings Gallery Display - Helen Saunders, The Courtauld Gallery, London, 14/10/2022-29/01/2023
Women in Abstraction, Centre Pompidou, Paris, 05/05/2021-23/08/2021 ...More
Radical Women: Jessica Dismorr and her Contemporaries, Pallant House Gallery, Chichester, 02/11/2019-23/02/2020
New Rhythms: Henri Gaudier-Brzeska, Kettle's Yard, Cambridge, 17/03/2015-21/06/2015
Modern Art in Britain 1910-1914, Barbican Art Gallery, London, 20/02/1997-26/05/1997
Blast, Sprengel Museum, Hannover, 18/08/1996-03/11/1996; Haus der Kunst, Munich, 15/11/1996-26/01/1997
Helen Saunders (1885-1963), Ashmolean Museum, Oxford, 09/01/1996-03/03/1996; Graves Art Gallery, Sheffield, 16/03/1996-20/04/1996
Vorticism and its allies, Hayward Gallery, London, 27/03/1974-02/06/1974 ...Less
Drawings Gallery Display - Helen Saunders, The Courtauld Gallery, London, 14/10/2022-29/01/2023
Women in Abstraction, Centre Pompidou, Paris, 05/05/2021-23/08/2021 ...More
Radical Women: Jessica Dismorr and her Contemporaries, Pallant House Gallery, Chichester, 02/11/2019-23/02/2020
New Rhythms: Henri Gaudier-Brzeska, Kettle's Yard, Cambridge, 17/03/2015-21/06/2015
Modern Art in Britain 1910-1914, Barbican Art Gallery, London, 20/02/1997-26/05/1997
Blast, Sprengel Museum, Hannover, 18/08/1996-03/11/1996; Haus der Kunst, Munich, 15/11/1996-26/01/1997
Helen Saunders (1885-1963), Ashmolean Museum, Oxford, 09/01/1996-03/03/1996; Graves Art Gallery, Sheffield, 16/03/1996-20/04/1996
Vorticism and its allies, Hayward Gallery, London, 27/03/1974-02/06/1974 ...Less
Literature
Women in Abstraction, Centre-Pompidou, Paris 5 May - 23 Aug. 2021 and Museo Guggenheim Bilbao, 2 Oct. 2021 - 27 Feb. 2022
Peppin, Brigid, and Cork, Richard, Helen Saunders (1885-1963), exh. cat., Ashmolean Museum, Oxford and Graves Art Gallery ,Sheffield, 1996
p. 46
ill. on p. 42
Peppin, Brigid, and Cork, Richard, Helen Saunders (1885-1963), exh. cat., Ashmolean Museum, Oxford and Graves Art Gallery ,Sheffield, 1996
p. 46
ill. on p. 42
Inscriptions
Watermark: Watermark: unable to check as is laid down and covered in thick media.
Inscription: Recto: lower right corner, grey ink, signed with the artist's initials: “H.S.”. Cardboard support, Recto: right centre, blue ballpoint, underlined: “TOP.”; left centre, blue ballpoint: “734”.
Collector's mark: none.
Inscription: Recto: lower right corner, grey ink, signed with the artist's initials: “H.S.”. Cardboard support, Recto: right centre, blue ballpoint, underlined: “TOP.”; left centre, blue ballpoint: “734”.
Collector's mark: none.
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