ⓒ Work in copyright. All rights reserved.

Studies of sculptures and related notes (recto)

Maker

(sculptor)
born 1934

Title

Studies of sculptures and related notes (recto)

Date of Production

1963

Medium

black and blue ballpoint (recto), black ballpoint (verso) on blue wove paper

Dimensions

Height: 29.3 cm
Width: 20.8 cm

Accession Number

D.2009.XX.3

Mode of Acquisition

Phillip King, gift, 16.1.2009

Credit

The Courtauld, London (Samuel Courtauld Trust)

Copyright

© Estate of Phillip King. All rights reserved, DACS 2023

Location

Not currently on display

Keywords




Provenance

Gift of the artist and Judy Corbalis 2009

Inscriptions

Watermark: Watermark: none.

Inscription: Recto, all but first in black ballpoint and artist’s hand: upper left corner, graphite, signed and dated: “Phillip King 1963”; upper left: “Autonomous Growth / or descending columns”; centre: “PARENTHESIS AS LOGICAL AND EMPTY COMPLEATS.”; left centre with line pointing to triangle: “hardbord [sic] / colored green” and below same triangle, outlined: “PARENTHESIS”; lower right: “THE NECESSITIES OF CONSTRUCTION / THE POINT OR VA The PHYSICAL PROXIMITY OF THINGS and the affecting FORCES OF GRAVITY / as LOGICAL SEQUENCES AT WORK (-THE / EMPTY VEHICULE OF A LOGICAL FORM THAT / ALLOWS A TOTAL UNITY WHERE EXPRESSION / SEEMS PURE / + PARADOXICALLY / RELATED (EQUIVALEN[sic]) TO OTHER FACTORS).”; lower centre: “A KIND of AUTONOMY OUTSIDE THE ARTIST / BUT PARADOXICALLY STILL a human PROCESS. / SOLID-SPACE IDEA NOT as GEOMetric placables. / BUT NON GEOMETRIC COMPLETELY BOUND TO THE OBJECT IDEA / NOT INITILLIAL [sic] INVOLMENT [sic] WITH EMPTY FORMS ENDING UP WITH / A SALAD OF EMPTY SYMBOLS plus EXPRESSIVE RELATIONS / BUT AN EXPRESSIVE [the last word written above “EMPTY TOTAL” which have been crossed out] FORM ELSEWHERE SEEMINGLY EMPTY PARTS GIVE A PARADOXICALLY / EMPTY + AT THE SAME TIME AS LOADED IMAGE” and the last four lines summed up in the lower right corner with “}TOT. UNITY WITH / ALL PARTS”.

Collector's mark: none.

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