ⓒ Work in copyright. All rights reserved.
Studies of sculptures and related notes (recto)
Maker
(sculptor)
born 1934
born 1934
Title
Studies of sculptures and related notes (recto)
Date of Production
1963
Medium
black and blue ballpoint (recto), black ballpoint (verso) on blue wove paper
Dimensions
Height: 29.3 cm
Width: 20.8 cm
Width: 20.8 cm
Accession Number
D.2009.XX.3
Mode of Acquisition
Phillip King, gift, 16.1.2009
Credit
The Courtauld, London (Samuel Courtauld Trust)
Copyright
© Estate of Phillip King. All rights reserved, DACS 2023
Location
Not currently on display
Keywords
Provenance
Gift of the artist and Judy Corbalis 2009
Inscriptions
Watermark: Watermark: none.
Inscription: Recto, all but first in black ballpoint and artist’s hand: upper left corner, graphite, signed and dated: “Phillip King 1963”; upper left: “Autonomous Growth / or descending columns”; centre: “PARENTHESIS AS LOGICAL AND EMPTY COMPLEATS.”; left centre with line pointing to triangle: “hardbord [sic] / colored green” and below same triangle, outlined: “PARENTHESIS”; lower right: “THE NECESSITIES OF CONSTRUCTION / THE POINT OR VA The PHYSICAL PROXIMITY OF THINGS and the affecting FORCES OF GRAVITY / as LOGICAL SEQUENCES AT WORK (-THE / EMPTY VEHICULE OF A LOGICAL FORM THAT / ALLOWS A TOTAL UNITY WHERE EXPRESSION / SEEMS PURE / + PARADOXICALLY / RELATED (EQUIVALEN[sic]) TO OTHER FACTORS).”; lower centre: “A KIND of AUTONOMY OUTSIDE THE ARTIST / BUT PARADOXICALLY STILL a human PROCESS. / SOLID-SPACE IDEA NOT as GEOMetric placables. / BUT NON GEOMETRIC COMPLETELY BOUND TO THE OBJECT IDEA / NOT INITILLIAL [sic] INVOLMENT [sic] WITH EMPTY FORMS ENDING UP WITH / A SALAD OF EMPTY SYMBOLS plus EXPRESSIVE RELATIONS / BUT AN EXPRESSIVE [the last word written above “EMPTY TOTAL” which have been crossed out] FORM ELSEWHERE SEEMINGLY EMPTY PARTS GIVE A PARADOXICALLY / EMPTY + AT THE SAME TIME AS LOADED IMAGE” and the last four lines summed up in the lower right corner with “}TOT. UNITY WITH / ALL PARTS”.
Collector's mark: none.
Inscription: Recto, all but first in black ballpoint and artist’s hand: upper left corner, graphite, signed and dated: “Phillip King 1963”; upper left: “Autonomous Growth / or descending columns”; centre: “PARENTHESIS AS LOGICAL AND EMPTY COMPLEATS.”; left centre with line pointing to triangle: “hardbord [sic] / colored green” and below same triangle, outlined: “PARENTHESIS”; lower right: “THE NECESSITIES OF CONSTRUCTION / THE POINT OR VA The PHYSICAL PROXIMITY OF THINGS and the affecting FORCES OF GRAVITY / as LOGICAL SEQUENCES AT WORK (-THE / EMPTY VEHICULE OF A LOGICAL FORM THAT / ALLOWS A TOTAL UNITY WHERE EXPRESSION / SEEMS PURE / + PARADOXICALLY / RELATED (EQUIVALEN[sic]) TO OTHER FACTORS).”; lower centre: “A KIND of AUTONOMY OUTSIDE THE ARTIST / BUT PARADOXICALLY STILL a human PROCESS. / SOLID-SPACE IDEA NOT as GEOMetric placables. / BUT NON GEOMETRIC COMPLETELY BOUND TO THE OBJECT IDEA / NOT INITILLIAL [sic] INVOLMENT [sic] WITH EMPTY FORMS ENDING UP WITH / A SALAD OF EMPTY SYMBOLS plus EXPRESSIVE RELATIONS / BUT AN EXPRESSIVE [the last word written above “EMPTY TOTAL” which have been crossed out] FORM ELSEWHERE SEEMINGLY EMPTY PARTS GIVE A PARADOXICALLY / EMPTY + AT THE SAME TIME AS LOADED IMAGE” and the last four lines summed up in the lower right corner with “}TOT. UNITY WITH / ALL PARTS”.
Collector's mark: none.
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