Studies of eight grotesque masks
Maker
(artist)
1700-1799
1700-1799
Title
Studies of eight grotesque masks
Date of Production
(circa) 1700
Medium
red chalk on laid paper
Dimensions
Height: 15.7 cm
Width: 19.3 cm
Width: 19.3 cm
Accession Number
D.1984.AB.124
Mode of Acquisition
Anthony Blunt, Art Fund bequest & grant aid, 1984
Credit
The Courtauld, London (Samuel Courtauld Trust)
Copyright
Work in the public domain
Location
Not currently on display
Keywords
Label Text
The eight mascarons on this sheet offer different treatments of an ornamental motif that, in the seventeenth and eighteenth centuries, served to decorate the keystones of windows and doors. Some, notably the female heads, are quite naturalistically rendered; others are stylised, the heads not fully human but hybrid, sporting satyr’s ears and ram’s horns. Mouths that gape grotesquely, tongues that stick out and curl, exhibit ornament’s potential to transgress and offend. Some 18th-century architectural theorists objected to the use of mascarons on grounds both of decorum and verisimilitude: hanging a fantastic head above a void was an affront to reason as well as to taste. By contrast, for many contemporary designers and ornamental sculptors it provided an opportunity for a grander, more exalted (because divine or human) form of ornament.
Provenance
Professor Anthony Blunt, London (1907-1983); Blunt Bequest via the Art Fund 1984
Exhibition History
Drawings Gallery Display - Ornament by Design, The Courtauld Gallery, London, 23/04/2016-12/06/2016
Inscriptions
Watermark: Watermark: lower centre edge, fragment: top of a foolscap.
Inscription: Verso: upper left corner, red chalk, unclear: "46" [?]; right lower edge, graphite: "57"; lower right corner, graphite: "5".
Collector's mark: none.
Inscription: Verso: upper left corner, red chalk, unclear: "46" [?]; right lower edge, graphite: "57"; lower right corner, graphite: "5".
Collector's mark: none.
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